Tag Archives: Margaret M. Ledford
Miami’s Shorts Is Once Again A Welcome Summer Cooler
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
Winter Shorts: Welcome Holiday Warmth Against The Chill
Over 21 years, City Theatre’s ever-expanding enterprises have developed and maintained a brand-level reputation for entertaining theater; its return to cool weather programming with the current edition of Winter Shorts is just as diverting.
City Theatre’s Crackling, Provocative ‘Building the Wall’ Plays a Dystopian Trump Card
City Theatre’s production of Building the Wall opens with audio of then-candidate Donald Trump spewing some of his more incendiary anti-immigration rhetoric. The first line has yet to be spoken, and already you can feel your blood pressure start to rise.
Dramaworkshop Exemplifies New Play Development With Faletto’s ‘Domestic Animals’
The 21st Century paradigm for developing new plays in on display this month at Palm Beach Dramaworks’ Dramaworkshop “developmental” production of Jennifer Faletto’s Domestic Animals.
Don’t Wait To See Thinking Cap’s Waiting For Waiting For Godot
In Thinking Cap Theatre’s Waiting For Waiting For Godot, the absurdity of life is moved from the center stage spotlight of Samuel Beckett’s play in progress to the dingy dark wings where two understudies are waiting in vain to go on.
20th Summer Shorts Even More Consistently Funny & Poignant
Intriguing premises are the jumping off points for the nine flights of theatrical whimsy in City Theatre’s annual festival of short plays, Summer Shorts. While no discernable thread runs through the disparate works, the deftly comic playlets are shot through with a striation of poignancy, and the moving entries are leavened with flashes of humor.
Family, Science, Feminism Evolve In Arts Garage’s Stimulating “The How And The Why”
Fine acting and direction elevate a script that navigates intellectual mazes and human emotions in The How and the Why at Theatre At Arts Garage.
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