Tag Archives: Margaret M. Ledford
Fine acting and direction elevate a script that navigates intellectual mazes and human emotions in The How and the Why at Theatre At Arts Garage.
So the Cowardly Lion walks into a gay bar…. That premise pretty reliably lets you know that you must be watching the new edition of Shorts Gone Wild 2, the mildly risqué festival of short plays with a LGBT underpinning.
Efforts by City Theatre staffers to improve the consistency of its offerings has paid off: This edition of Summer Shorts is not only lushly and imaginatively produced with a noticeable extra bit of polish, but is more consistently funny and entertaining than any edition in recent memory.
For a century, August Strindberg’s tragedy Miss Julie has been interpreted as a seesaw of power exercised through class and sexual politics. But in Naked Stage’s operatic production, as lives lie in ruins, everyone ultimately is revealed a slave, never a master, when they toy with those three elements.
Juan C. Sanchez’s Paradise Motel begins in the clouds and ends in the sewer. Charting five decades in the devolution of a fictional motel on Calle Ocho—and the parade of lovers, hustlers, sharks and addicts that have occupied its rooms—this collection of seven playlets presents an uncompromising vision of urban decay that will ring wincingly true for its Miami audience
Until the final scene, it’s not terribly clear what New Theatre’s intriguing Visiting Hours is about or what it’s trying to say – and then the ideas come at you so fast that it takes a while afterward to sort out what playwright David Caudle has been setting up all night. Fortunately, the production led by director Margaret M. Ledford is consistently engaging and Caudle’s characters are absorbing enough to keep your attention.
By Bill Hirschman Sometimes for actors, especially playing comedy, the only option is to jump off the cliff and see if you can fly. The miracle is that sometimes, as in City Theatre’s Summer Shorts, is that, indeed, they soar. …
Imagine you’re Ken Clement in City Theatre’s Summer Shorts opening this week. One minute he’s a dolphin, a few minutes later he;s Dracula and still later he has to find his inner Mothra. Performing in the annual festival of short plays, a rite of summer now in its 18th edition, requires talents they don’t dwell on in drama school.
Eighteen Silver Palm Awards honoring theatrical excellence in South Florida during the 2011-2012 season will be presented Dec. 3, as well as two Remy Awards from the South Florida Theatre League.
The Turn of the Screw, Henry James’ psychological thriller gets a superbly accomplished production as The Naked Stage’s first outing in almost two years featuring flawless performances by Katherine Amadeo and Matthew William Chizever, and director Margaret M. Ledford deftly creating a world of half-shadows and whispers.