Tag Archives: Margaret M. Ledford
Asked to spotlight specific problems and potential solutions, everybody had a story of racism infecting the South Florida theater community. Some cited unintentional micro-aggressions in pressure-laden rehearsals. Others underscored systemic failings whose reform will require leaders, supporters and audiences to revaluate everything from what goes on stage to who decides what goes on stage.
GableStage is coping with the death of Joseph Adler plus the shuttering of live performances, but it has started new initiative meant to originate new material and support artists financially. Engage@GableStage is commissioning original world premieres for online works that mirror the theater’s vein of thought-provoking stories. Proposals/applications for the grants will be accepted through June 12.
City Theatre’s production of The Cake, about a baker who refuses to make a cake for a lesbian couple, digs deep below stereotypes to examine the contemporary clash between sincerely held principles that threaten to cripple relationships among people who care for one another – or at least have to live in the same world.
Alright ladies and gentlemen, boys and girls, she’s and he’s, and those who would prefer not to self-identify, Thinking Cap Theatre and City Theatre’s summer short play fest, She Shorts is for you, so that means everybody.
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Over 21 years, City Theatre’s ever-expanding enterprises have developed and maintained a brand-level reputation for entertaining theater; its return to cool weather programming with the current edition of Winter Shorts is just as diverting.
City Theatre’s production of Building the Wall opens with audio of then-candidate Donald Trump spewing some of his more incendiary anti-immigration rhetoric. The first line has yet to be spoken, and already you can feel your blood pressure start to rise.
The 21st Century paradigm for developing new plays in on display this month at Palm Beach Dramaworks’ Dramaworkshop “developmental” production of Jennifer Faletto’s Domestic Animals.
Hardly unusual in musical theater, Meredith Bartmon strolls around the Carnival Studio stage singing passionately about her dreams and, later, her refusal to compromise those dreams. But this isn’t a two-and-half-hour epic on a national tour; this is one of nine 10-minute playlets in City Theatre’s 21st edition of Summer Shorts.