Tag Archives: Ben Sandomir
Island City’s Latest Beats Prejudice Into ‘Submission’
Jeff Talbott’s The Submission, enjoying its regional premiere from Island City Stage, is predicated on the realization that “Everyone’s a little bit racist.” It charts the ignition of a racial flashpoint in the theater world over the span of a year, as liberal creative types are forced to confront long-dormant prejudices.
Love Or Hate Wildhorn, Marquee’s Jekyll & Hyde Has Two Powerful Performances
Sometimes, as with Marquee Theater’s Jekyll & Hyde, the performances are so powerful that you forget the material isn’t worthy. Wildhorn’s pop-infused power ballad-addicted aesthetic divides fans. But there’s no ambivalence in this company’s enthusiasm and strong performances of Ben Sandomir in the title roles and, Alexandria Lugo as Lucy, the hooker-with-a-heart-of-gold and vocal-chords-of-steel.
Slow Burn Lands Really Big Fish In Bow At The Broward Center
With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.
Singing Their Hearts Out Over Last Five Years At Evening Star
Evening Star Production’s fervent mounting of Jason Robert Brown’s cult musical The Last Five Years invests infinite compassion for the eddying gain and loss in one of the most intriguing constructs in musical theater.
Parade Productions’ Undo Charts Divorce By Replaying Wedding In Reverse
Undo’s premise – a Jewish divorce ceremony that rewinds a couple’s wedding day — sounds so much like a sitcom episode that you keep expecting it to slide into shallow farce. But it doesn’t. The script is shot through with mordant gallows humor, but Parade Productions’ edition keeps excavating the marrow of marital and familial relationships.
PPTOPA Aims To Win Added Respect with Massive Les Miz
Pembroke Pines Theatre of the Performing Arts is laboring to make its massive and expensive production of the epic Les Miserables a rebuke to silence those who dismiss community theater sight unseen.
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