Tag Archives: Miami New Drama
News: Miami New Drama, Main Street Players, MNM, Area Stage, Silver Palms, Actors’ Playhouse, Kravis, GableStage, Tovah Feldshuh
Theater isn’t just coming back to life, it’s emerging in a score of ways. Here’s a sampling of opening nights, fundraisers, new venues, even a call for ushers. News about Miami New Drama, Main Street Players, MNM, Area Stage Company, Silver Palm Awards, Actors’ Playhouse, Kravis Center, GableStage, Tovah Feldshuh
Miami New Drama’s innovative 7 Deadly Sins production, which has garnered attention around the country, has won a new category from the annual Drama League Awards.
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
It was only a matter of time until one of South Florida’s most experimental companies would find a way to produce theater outside of a theater. Nine months into a pandemic, the sheer existence of Miami New Drama’s experiential short-play collaboration 7 Deadly Sins feels as surreal as it is miraculous.
Nine months into the country’s battle against COVID-19, Miami New Drama and its boundlessly imaginative artistic director, Michel Hausmann, have figured out a way to turn vice into virtue, exploring the seven deadly sins in an ambitious return to live theater beginning Nov. 27.
Samuel French, one of the major playscript publishers in the nation, is releasing a new acting edition of the Thornton Wilder classic Our Town featuring some scenes translated into Spanish and Creole pioneered by Miami New Drama’s 2017 production.
Drive-in theater, theater behind storefront glass, podcasts: In spurts over 7 months, South Florida theater artists have been preparing experiments online and live, for free, for pay or donations. As many are coming into view this fall, they are coalescing into a new if temporary paradigm that holds out hope for the survival of the genre.
Theatre Lab kicks off special projects, Miami New Drama has special reading of work in progress, Dramaworks gets new director of development
Trivia contests, master classes, solo performances, new play development online, lectures, podcast-like schmoozing interviews, requests for video audition, 24-hour theater projects, even soliciting subscriptions for specific dates. The ghost light may be lit across the South Florida theater scene, but nearly every troupe is aggressively keeping the genre’s profile inescapable.
PART TWO: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.