There are plays that you may have seen ithat, when you experience them in today’s environment, bring more of a tear then they might have 10 years ago. This is the experience with JCAT’s Driving Miss Daisy — an underlying reality that some of the experiences that many of us thought, probably Alfred Uhry, too, when he wrote it in 1987, would be reflective are once again front and center.
Sitting in Circle In The Square’s deep-thrust proscenium-less theater, it’s inescapable that director Daniel Fish and his team have gone way, way out of their way to let you know that this is (to repeat an oft-used phrase) not your grandma’s Oklahoma! — even before the show starts, and then aggressively tossing paradigm-shifting trope-trashing curve balls at the audience.
Theatre Lab’s family-friendly production of When She Had Wings posits a young girl, convinced she could fly before she could walk, trying to regain her power of flight.
For theater folks and movie buffs, the title is a giveaway, Clemenza & Tessio Are Dead. Those with a knowledge of theater will think of Stoppard’s Rosencrantz and Guildenstern are Dead, also Shakespeare’s duo in Hamlet, and movie fans may remember the secondary characters, Tessio and Clemenza, from 1972’s The Godfather film
By Bill Hirschman The ominous omens in New City Players’ energetic and passionate Macbeth actually portend promising things for South Florida theater. The rarely spoken of deficiency in offerings and performance in local theater is Shakespeare. Only a handful of …
Fathers — becoming one, being one and losing one — are the connective tissue of Sea Wall/A Life, the emotional double bill of two one-acts currently at the Hudson Theatre . While the performance of movie actor Jake Gyllenhaal may be the initial draw for many theatergoers, he is not the star. The two scripts are.
The musical theater evening inspired by Steinman’s classic 1977 album Bat Out of Hell is precisely what you expect it to be. For some, that means pure nirvana. Others not as inclined should stay far away during this production’s limited run through September 8.
Starmaker, getting its world premiere at Island City Stage, is about Henry Willson, the agent behind the hunky male stars of the 1950s, who, while fooling the cameras as straight sex symbols, are hiding their biggest secret: they’re all gay, notably Rock Hudson.
Hair is a weird show, and not because the characters are weird. To the contrary, the flower children of the Vietnam era, which it explores with both affection and criticism, have arguably aged more into the mainstream after decades of the liberalization of sex, drugs and rock ‘n’ roll, and new age spirituality. Hair is strange because of the shambolic structure , as neither a fully sung-through musical nor a traditional, book-driven story.
The creators of Tootsie, a Broadway musical destined to tour near you , made a brilliant and courageous choice to abandon duplicating the 1982 Sydney Pollack film starring Dustin Hoffman, and produce a fresh take on the same idea.