Tag Archives: Thinking Cap Theatre
A Public Reading of an Unproduced Screenplay about the Death of Walt Disney is not easy theater, by any means, but not one that Thinking Cap would ever shy away from. Their tagline is “theatre exploding with thought” and if any play fits the mission, this one does
“Or,” is a delightful daffy farce underpinned with social commentary that fits Thinking Cap’s eclectic bent for thought-provoking comedies and dramas that are aggressively off-beat, have a literary bent, or at a minimum are a step away from predictable mainstream fare.
Next Season: Slow Burn, Actors’ Playhouse, Thinking Cap, Wick, Maltz, Lake Worth, PPTOPA, Bway At Brow Ctr & Kravis
If it’s snowing up north, then it’s time for Florida theaters to announce their 2016-2017 seasons. Among those that have: Slow Burn Theatre Company, Actors’ Playhouse, Thinking Cap Theatre, The Wick Theatre, Maltz Jupiter Theatre, Lake Worth Playhouse, Pembroke Pines Theater of the Performing Arts, Broadway in Fort Lauderdale and Kravis on Broadway.
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
Thinking Cap Theatre sets The Importance of Being Earnest in a madcap lampoon of New York City’s disco era. The urbane and farcical elements are irreconcilably at war, but each facet – one of the funniest literate scripts ever written and a zany hoot of a production – is so strong on its own merits that the result is a mostly satisfying gigglefest worth the investment.
South Florida theaters still mount familiar warhorses, but the 2015-2016 season is proof that companies realize the future of theater is to attract pre-retirement audiences with shows steaming fresh out of Manhattan, edgy intellectually challenging works, imaginative takes on familiar titles, regional premieres of shows you only read about in The New York Times over the past few years and some shows you have never heard of, period.
These are not at all necessarily what we predict will be the best shows this season (although they may be) or the best attended or the most popular or the most award-winning. We don’t care. These are the shows we most want to see for a variety of reasons.
In Thinking Cap Theatre’s Waiting For Waiting For Godot, the absurdity of life is moved from the center stage spotlight of Samuel Beckett’s play in progress to the dingy dark wings where two understudies are waiting in vain to go on.
A naïve young woman from an isolated religious cult called the Squeamish (think Amish) finds herself in an oversized Mr. Peanut outfit on a highway giving the finger to honking motorists. Such daffy nonsense is indicative of the delightful satire in Thinking Cap Theatre’s The Book of Liz, a hoot by Amy and David Sedaris.
In theory, Vita and Virginia details the relationship between Virginia Woolf and Vita Sackville-West. But the real romance is a profligate, glorious love affair with words, with language, with literate expression.
Superb performances luxuriate like bodies lounging on the elegant chaises in Thinking Cap Theatre’s measured production.