Tag Archives: Beverly Blanchette
GableStage takes a break from race relations and Arthur Miller to create Boca, a chuckle-fest as well-constructed and skillfully executed as any episode of The Golden Girls, the Mary Tyler Moore show or a Carol Burnett skit.
Quirky denizens of Stephen Adly Guirgis’ Between Riverside and Crazy strive to find second chances in GableStage’s production.
Sometimes the daring efforts of Outré Theatre Company work beautifully such as Back of the Throat, An Illiad and Thrill Me, sometimes not so well such as Bed and Sofa, and Othello. Often, it’s both as with the current world premiere of The Violet Hour, A Modern Medea.
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
Stop what you’re doing. Really. Go online right now and reserve tickets to see Ground Up and Rising’s harrowing and moving Vincent River, inarguably one of the best productions of the season
Pigs Do Fly’s second outing of short comedies Fifty Plus: A New Atttude is a mildly entertaining, pleasant diversion punctuated by several guffaws and chuckles. But the undemanding evening generates little electricity and too few stretches of outright hilarity.
While it does give actors and audiences of the 50-plus demographic a forum to create, Pigs Do Fly’s Fifty Plus – A Celebration of Life As We Know It isn’t just for those fifty or older; the humorous short plays, although sometimes predictable, presented life as we all know it.
The Plaza Theatre’s production of Dirty Blonde, a story of the blessings and curse of celebrity as seen in the life of Mae West, is similarly a conundrum of contradiction – the cast delivers appealing performances, but the play never captures the sex symbol’s blissful bawdiness and nova-like lifeforce that has invigorated other editions.
If you’ve ever kicked in the chorus line of a community theater production of Mame, you’ll likely adore Showtime Performing Arts Theatre’s [title of show]. But if you’ve ever secretly practiced a Tony Award acceptance speech in your bathroom, then [title of show] is a must-see.