Tag Archives: Andrews Living Arts
There may be 12 days of Christmas, eight days of Hannukah and seven days of Kwanzaa, but there are 31 days of theater in South Florida underscored by the coming week in which at least 11 shows are opening in addition to at least 11 already open and at least seven more opening later.
Andrews Living Arts Studio’s An Evening of 1-Acts pairs two decidedly different plays, offering interesting book ends with an eye on how women think, feel and perceive themselves.
What continues to enchant critics who have to see more productions of Steel Magnolias than most civilians is what a truly funny, finely observed and genuinely touching script that Robert Harling constructed back in 1987. What’s different about Andrews Living Arts Studio’s uneven new production is that, atypically, it’s the pathos that works far better than the comedy.
After an unnerving series of losses, several low-key announcements provide some encouraging news this week for the South Florida theater scene: Rising Action Theatre has succeeded in resurrecting itself as Island City Theatre with a production scheduled for August and hopes for another in the late fall. Naked Stage, which has been in hiatus for nearly a year and half, is preparing shows for July and next winter.
Just how strong are the songs and jokes in the Tony-winning musical Avenue Q? So sturdy that even with shaky voices, so-so acting and laugh-killing scenery changes, the enthusiastic and earnest cast at Andrews Living Arts Studio nearly pulled off the sassy satire of urban life. Nearly.
Mosaic Changes Season, Alliance Sets Season, Andrews Arts Hosts Show, Hirschman Honored With Zink Award
The Andrews Living Arts Studio deserves credit for attempting the epic masterpiece Angels In America, Part 1: Millenium Approaches. Unfortunately, the laudable desire to conquer mountains doesn’t protect you from falling into crevasses. While the production is barely mediocre with flashes of competency, somehow the poetry, the resonances, the genius of Tony Kushner’s script came through more clearly than in any of four earlier productions I’ve seen.