Indisputably, regional theaters have been a significant wellspring for new plays reaching back 30 years. But a quickening sea change has occurred quietly but demonstrably over the past decade: Regional theaters – once reliant on warhorses and the latest New York hit — have become the primary incubator and showcase for new work in America
Posted in Features
Tagged Actors Theatre of Louisville, All The Way, American Theatre Critics Association, Amy Rose Marsh, ART, Arts Garage, Barrington Stage, Becky's New Car, Berkeley Rep, Christopher Demos-Brown, Contemporary American Theatre Festival, Daniel's Husband, Deborah Zoe Laufer, Denver Center’s Colorado New Play Summit, Ed Herendeen, Eugene O’ Neill Theatre Center, Florida Stage, Gideon’s Knot, Harold and Mimi Steinberg Charitable Trust, Humana Festival of New American Plays, I and You, Island City Stage, Jim Steinberg, Johnna Adams, Ken Ludwig, La Jolla Playhouse, Lauren Gunderson, Louis Tyrrell, Lucas Hnath’s The Christians, Mad Cat Theatre Company, Manhattan Theater Club, Michael McKeever, Nan Barnett, National New Play Network, New Theatre, Nilo Cruz, Oregon Shakespeare Festival, Paper Mill Playhouse, Playwrights Horizon, Public Theater, Pulitzer Prize, Robert Schenkkan, Samuel French Inc., Signature Theatre and Atlantic Theater Company, South Coast Rep, Steppenwolf, Steve Yockey, Steven Dietz, Sundance Institute, Theatre Lab at Florida Atlantic University, Zoetic Stage
The future of the 24-Hour Theatre Project – a popular fund-raiser that cemented the theater community’s solidarity – seemed endangered when its founders, the Amadeos, announced they would be leaving the state. Enter the Theatre Lab, which will present Project on May 1 with the Amadeos’ blessing.
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Posted in Features
Tagged 1776, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, Actors Playhouse, After, Alex Alvarez, An Act of God, Andre' L Gainey, Anna Lise Jensen, Area Stage Co., Arts Garage, Arturo Rossi, Avery Sommers, Aygemang Clay, Barbara Bradshaw, Ben Bagby. The Normal Heart, Bert Rodriguez, Bessie Smith: The Devils’ Music, Betsy Graver, Broward Stage Door, Buyer & Cellar, Caryl Fantel, Charlie Cinnamon, Chris Crawford, Clay Cartland, Conor Walton, Dan Knechtges, David Arisco, David Nagy, Deana Butler-Rahming Ja’Nia Harden, Deborah Zoe Laufer, Elizabeth Dimon, Evening Star Productions, Feeding The Bear, Florida Grand Opera, GableStage, Genie Croft, Gregg Weiner, Gretchen Porro, Ground Up and Rising, Hand To God, Heathers, Helen Gregory, I Love A Piano, Island City Stage, James Brennan, Jeni Hacker, Jim Gibbons, Jodi Dellaventura, John Harden II, Joseph Adler, Julie Kleiner Davis, Karen Stephens, Keith Garsson, Kevin Black, Kristian Bikic, Larry Buzzeo, Laura Hodos, Lindsey Corey, Long Day's Journey Into Night, Louis Tyrrell, Lourelene Snedeker, Mad Cat Theatre Company, Maltz Jupiter Theatre, Marco Ramirez, Margery Lowe, Maria Elena Garcia, Mark Duncan, Matt Loehr, Matthew Korinko, Maureen Anderman, Me and My Girl, Mia Matthews, Michael Aman, Michael McKeever, Million Dollar Quartet, Mud, Murdered To Death, New Theatre, Nicholas Richberg, Nicole Stodard, Niki Fridh, Our Lady of 121st Street, outre theatre company, Palm Beach Dramaworks, Parallel Lives Chris Crawford, Passion, Patrick Fitzwater, Paul Tei, Perfect Arrangement, Peter Galman, Peter Lovello, Putting It Together, Rapture Blister Burn, Ricky J. Martinez, Ron Hutchins, Roof, Rudi Goblen, Sarah Gracel Anderson, Shein Mompremier, Simply Simone: The Music of Nina Simone, Skye Whitcomb, Slow Burn Theatre Company, Smoke, Sondheim On Sondheim, Spring Awakening, Stuart Meltzer, Teddy Harrell, The Flick, The Hunchback of Notre Dame, The Minister’s Wife, The Nether, The Passenger, The Realistic Joneses, The Royale, The Soul of Motor City, The Wick Theatre, The World Goes Round, Theatre At Arts Garage, Theatre Lab at Florida Atlantic University, Thinking Cap Theatre, This Random World, Three Sisters of Weekhauken, Toddra Brunson, Tom Wahl, Wesley Slade, West Side Story, William Hayes
With humor, poignancy and insight, Dietz portrays just such a patchwork invisible to its residents in his new play This Random World at Theatre Lab, the professional resident company at Florida Atlantic University.
Posted in Performances, Reviews
Tagged Cherise James, Dan Leonard, Elizabeth Price, Harriet Oser, Joseph Ferrarelli, Kelli Mohrbacher, Louis Tyrrell, Maha McCain, Matt Stabile, Steven Dietz, Theatre Lab, This Random World
A different season advance: Quietly, oh so quietly, the 2016-2017 theater season in South Florida is shaping up to be as notable for tidal growth, contraction, ebb and flow as it is for the actual productions scheduled.
Posted in Features
Tagged Actors Playhouse, Andie Arthur, Antonio Amadeo, Arquitectonica International Corp., Arts Garage, Aventura Arts & Culture Center, Broward Center, Coconut Grove Playhouse, Colony Theatre, Coral Springs Center for the Arts, Crest Theatre, Dave Arisco, David Gordon, Empire Stage, Fantasy Theatre Factory, Florida Atlantic University, Florida International University, GableStage, Gabriel Hammad, Giancarlo Rodaz, Infinite Abyss, Island City Stage, Israel Horovitz. Deborah Zoe Laufer, Katherine Amadeo, Katherine Siegel, Keith Garsson, Lost Girls Theatre, Louis Tyrrell, M Ensemble, Main Street Players, Mark Della Ventura, Meera Hammad, Miami New Drama, Michel Hausmann, Moises Kaufman, Naked Stage, New City Players, New Theatre, outre theatre company, Palm Beach Dramaworks, Pigs Do Fly Productions, Punchline Theatre Company, Showtime Performing Arts Theatre, Slowburn Theatre Company, Stringlight Theatre Co., Theatre Lab, Thinking Cap Theatre, Vanguard Sanctuary for the Arts
Some of the most prominent names in playwriting today – plus a local actor and writer – headline an intensive series of readings May 11—14 at Theatre Lab, the professional resident company of Florida Atlantic University headed by Louis Tyrrell.
News items about Palm Beach Dramaworks, Barry University, City Theatre, FAU’s Theatre Project
South Florida theaters still mount familiar warhorses, but the 2015-2016 season is proof that companies realize the future of theater is to attract pre-retirement audiences with shows steaming fresh out of Manhattan, edgy intellectually challenging works, imaginative takes on familiar titles, regional premieres of shows you only read about in The New York Times over the past few years and some shows you have never heard of, period.
Posted in Features
Tagged Actors Playhouse, Alliance Theatre, Avi Hoffman, Broadway Across Fort Lauderdale, Broadway Across Miami, Broward Center for the Performing Arts, Broward Stage Door Theatre, Christopher Demos-Brown, David Sirois, Florida Atlantic University, Florida International University, GableStage, Infinite Abyss, Island City Stage, Keith Garsson, Kravis on Broadway, Lake Worth Playhouse, Lee Roy Reams, Louis Tyrrell, M Ensemble, Mad Cat Theatre Company, Main Street, Maltz Jupiter Theatre, Mario Diament, Mark Della Ventura, Marquee Theater Company, Mchael Leeds, Miami Theater Center, Michael Aman, New Theatre, Nova Southeastern University, outre theatre company, Palm Beach Dramaworks, Primal Stages, Punchline Theatre, Ricky J. Martinez, Sandra Rile Susan Westfall, Sandra Riley, Slow Burn Theatre Company, The Wick Theatre, Theatre At Arts Garage, Theatre Lab, Thinking Cap Theatre, Zoetic Stage
Theatre Lab, a professional venture specializing in new, developing and thought-provoking work, has opened as the resident company based at Florida Atlantic University under the leadership of Louis Tyrrell, the founder of Florida Stage.
The key to enjoying world premieres like Uncertain Terms at The Theatre at Arts Garage is to understand that you are seeing a work in progress. So picking out what works and what doesn’t is part of the reason to look in on Allison Gregory’s flawed but droll exercise in quirky whimsy about an extended family laying conflicting claims to the same home.
Posted in Performances, Reviews
Tagged Allison Gregroy, Barbara Bradshaw, Beth Dimon, Erin Joy Schmidt, Jody-Ann Henry, Louis Tyrrell, Matt Stabile, The Theatre At Arts Garage, Todd Allen Durkin, Uncertain Terms