Tag Archives: Kevin Reilley

A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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Carousel Swirls And The Music Swells At Actors Playhouse

The miracle of the Carousel when it’s done well, as it is in this Actors Playhouse production, is that although it’s 72 years old and its protagonists are a wife-beating ne’er-do-well and the woman who stubbornly loves him despite the domestic violence, the bloody thing works in the 21st Century.

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A Hilarious God Sits Down To Explain It All To You, Sort Of

God is just like you and me – genial, well-meaning, chatty and, while omniscient and omnipotent, also flawed enough to make universe-shaking mistakes. At least that’s the God that actor Tom Wahl, director Joe Adler and playwright David Javerbaum offer during a delightful, hilarious and subversively insightful evening in GableStage’s An Act of God.

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Collision Of Intriguing Ideas Doesn’t Delve Much Deeper In Pigs Do Fly’s Invasion Of Privacy

Larry Parr’s Invasion of Privacy from Pigs Do Fly Productions, based on a lawsuit against Florida’s beloved Marjorie Kinnan Rawlings, lays intriguing thought-provoking ideas on the table, but basically just leaves them there.

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Feeding The Bear Has Promise, But It Needs More Feeding

Feeding The Bear, a serio-comedy focused on caring for a father succumbing to Alzheimer’s (featuring a drag queen with a cooking TV show), has all the necessary ingredients for a tasty confection, but this work in progress hasn’t yet found the culinary magic to be a fully satisfying dish.

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Island City Stage’s ‘Joan Crawford’ Cranks Up The Camp

Island City Stage gives the first full performance of Michael Leeds’ Who Killed Joan Crawford, a comedy mystery about male friends invited to a birthday party dressed as Crawford characters.
Break out the martinis. It isn’t perfect, but it’s still a helluva lot of fun

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Hard-Working Cast Can’t Save The Trial Of Ebenezer Scrooge

Actors Playhouse’s production of The Trial of Ebenezer Scrooge has a talented cast working hard under the direction of David Arisco, but good grief, what a waste of the resources of Mark Brown’s lame script. For one hours and forty minutes (including intermission), the audiences waits and waits for a single new riff in the Scrooge story, even a shred of logic explaining Brown’s basic premise.

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Stage Door Keeps Its Promises In Revival Of 1960’s Hit Musical

Broward Stage Door’s earnest intriguing revival of Promises, Promises embraces its up-to-the-moment pop score for 1968, a witty and insightful script, frenetic choreography that caught the zeitgeist of the time, and some deceptively subtle performances to become a wildly-popular hit just as the social fabric of the country was in transition.

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Casa Valentina Explores The Men Beneath The Pearls And Lipstick At GableStage

Harvey Fierstein’s thought-provoking Casa Valentina play at GableStage explores is that sexuality as an infinitely varied stew of preferences, prejudices and other ingredients in varied measures

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One More Trip Over The River At Stage Door Remains Warm And Funny Just Not As Vibrant

After nearly two decades of South Florida productions, the hilarious and poignant Over The River And Through The Woods has lost a bit of its power in this perfectly workmanlike and mildly affecting edition by Broward Stage Door. This trip to grandmother’s house may not be as vibrant as the one in your memory, but it still warms the gut like Aida’s ever-present pan of lasagna.

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