Tag Archives: Christopher Mitchell
In Waiting For Godot, that classic of the Theater of the Absurd, nothing is more absurd than Man’s insistent search for some meaning in life. In Evening Star Productions’ courageous run at this Everest of a play, their response is broad comedy suffused into the intentionally pointless and protracted slog that is Beckett’s brilliant but unsettling manifesto of existentialism.
The level of anger, helplessness and sorrow rises inexorably along with the death toll like flood waters from a storm surge in Outré Theatre Company’s shattering production of The Normal Heart. The play documenting the AIDS epidemic in New York City during the early 1980s is depicted with scorching and excoriating emotional honesty.
In Evening Star’s Murdered To Death, this comic murder mystery satire becomes so supremely silly with slapstick, overheated melodrama and an endless supply of verbal blunders that the actors have little recourse but to succumb to the infectious laughter from the audience.
With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.
There’s enough giggles and grins in Evening Star Productions’ The Addams Family delivered by these game, committed thespians to keep this production mildly diverting, but they still are finding their artistic chops and they still are chained to a script and score that devolves from the strychnine into the saccharine.