Tag Archives: Michael H. Small
Seniors and caretaking Boomers recognize the real pain informing the facile catchphrase “Growing old is not for sissies” – a quality sharing the stage with copious laughs in Broward Stage Door’s production of Neil Simon’s The Sunshine Boys.
The temptation is to announce that ‘a star is born’ in Actors’ Playhouse’s production of the musical It Shoulda Been You. But that would be mildly insulting to the fact that Cindy Pearce has been working on local stages about 14 years, most memorably as Penelope Pennywise in Slow Burn Theatre’s Urinetown.
The best art is a partnership between the creative mind and the viewer. That often requires the audience to expend some effort to get inside the artist’s mind or ethos or style. Witness the first full-fledged production of Allison Gregory’s Motherland at Theatre Lab, a tragedy shot full of the droll street humor.
The level of anger, helplessness and sorrow rises inexorably along with the death toll like flood waters from a storm surge in Outré Theatre Company’s shattering production of The Normal Heart. The play documenting the AIDS epidemic in New York City during the early 1980s is depicted with scorching and excoriating emotional honesty.
Broward Stage Door’s Broadway Bound may not land perfectly all the time, but these theater pros deliver a no-excuses-needed effort that works often and effectively and ultimately satisfies.
But with one significant caveat, An Adult Evening of Shel Silverstein at the Vanguard lands most of the ten quirky gems of satirical and somewhat blue comedy with a skill, energy and polish missing from many local anthologies of 10 or 15-minute playlets.
If Arthur Miller were also a doctor on the side, he might have written a play like Unlikely Heroes. A family drama full of long-harbored resentments and new ones stemming from intimate secrets revealed, this world premiere on view at Boca Raton’s Mizner Park Cultural Arts Center also hinges on a potentially fatal condition that will require an organ donation
The crucial test for whether a production of The Fantasticks truly succeeds, as Broward Stage Door’s does, is the last few minutes. If it’s been a little while since you saw the show live and yearn to try to remember, this will do very nicely.
Broward Stage Door’s courageously adult and resplendently lewd production of Cabaret ain’t your condo grandmother’s musical comedy. The only thing missing from this vision echoing the Sam Mendes revival is the nipple ring.