Tag Archives: Skye Whitcomb

Irreconcilable Viewpoints Clash In Outre’s The Christians

All too apropos for our bitterly divided time, Outré Theatre Company’s intellectually stimulating production of Lucas Hnath’s The Christians asks what happens when two sincerely held but diametrically opposed viewpoints inescapably clash.

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Comedian, Rock Star, Memoirist—Mike Westrich’s Dazzling Hedwig Is All Three

It’s fun — and in the two hours of Outre Theatre Company’s transportive production of Hedwig and the Angry Inch, even somehow plausible—to believe that Mike Westrich always has been Hedwig and always will be Hedwig. Free of camp, and gracious even when she’s delivering bawdy double entendres, this Hedwig disappears into the actor as much as the actor becomes her

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Orwell’s Prescient Novel Is Prime Virtue Of Outre’s 1984

The prescient genius of George Orwell is the blinding virtue in Outré Theatre Company’s earnestly delivered but sluggish production of the painfully relevant 1984. It remains jaw-dropping that Orwell foresaw in 1949 a nightmare of social, political, emotional, intellectual and technological insanity whose resonances in 2017 are deafening.

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The Meaning Of Life’s A Joke In Evening Star’s Waiting For Godot

In Waiting For Godot, that classic of the Theater of the Absurd, nothing is more absurd than Man’s insistent search for some meaning in life. In Evening Star Productions’ courageous run at this Everest of a play, their response is broad comedy suffused into the intentionally pointless and protracted slog that is Beckett’s brilliant but unsettling manifesto of existentialism.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Commitment Makes Up For Spectacle In Outre’s Tommy

Outré Theatre Company’s edition of Tommy demonstrates how skill, imagination and pure guts can triumph over the most modest of means. Its greatest virtue in bringing the classic rock opera to the postage stamp stage is a total, laser-focused tsunami-strength commitment.

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Outre’s The Violet Hour Is A Daring, Flawed Modern Medea

Sometimes the daring efforts of Outré Theatre Company work beautifully such as Back of the Throat, An Illiad and Thrill Me, sometimes not so well such as Bed and Sofa, and Othello. Often, it’s both as with the current world premiere of The Violet Hour, A Modern Medea.

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Outre’s Bed & Sofa Is Uneasy Mix Of Opera, Silent Film, Theater

The collision of two never-subtle art forms in Bed and Sofa is certainly intriguing as befits Outré Theatre Company’s mission of fearlessly pushing the boundaries of theater, thanks in part to the commitment of Outré’s directors and performers. But this bizarre entry never lands solidly.

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Outré Theatre Premieres Silent Movie Musical ‘Bed and Sofa,’ Adding Its Own Touches

Perhaps if Rent hadn’t eclipsed everything that arrived in New York in 1996, maybe Bed and Sofa would have received the attention it deserved, in the eyes of Skye Whitcomb who is directing Outré Theatre Company’s “silent movie amber opera” in its Southeastern premiere at the Broward Center.

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Outre’s Bloody Bloody Andrew Jackson Is, Well, Bloody Good

With bracing anger, profuse profanity and biting satire that is more slashing than surgical, Outre Theatre Company’s Bloody Bloody Andrew Jackson will not to be everyone’s taste but for those whose preference run more to Rent than Mamma Mia, this is your acidic cup of tea.

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