Tag Archives: Robert Fritz
Don’t say we didn’t warn you: If you purchase a ticket to the fourth and latest iteration of Miami Motel Stories, you will be put to work. You may have to repair a costume, or apply an actor’s nail polish, or shine a pair of shoes.
MNM Theatre ’s Avenue Q, the musical comedy with foul-mouthed and copulating puppets, has never been as clearly about education as now. It’s the curriculum about coping with disappointment waiting in the real world.
The drolly hilarious Avenue Q, being given a “fine, fine” outing by MNM, is also imbued with a quiet sadness and accompanying sympathy for the loss of hopeful naiveté.
Slow Burn Theatre Company’s rollicking race-down-the-hill production of Peter and the Starcatcher is a joyful hoot packed with more sight gags, puns, pratfalls, wordplay and even a bit of wistfulness than arguably any other recent work including the current The Play That Goes Wrong.
Merriment is a word we don’t use much in the 21st Century, but that is the precise adjective to reflect the madcap abandon, tireless physical comedy and unflagging enthusiasm that makes a success of New City Players’ edition of Twelfth Night.
Evening Star Productions’ regional premiere of the episodic musical See Rock City and Other Destinations, which has enthusiasm and heart to spare, suffers from inconsistencies across its seven-piece ensemble.
The level of anger, helplessness and sorrow rises inexorably along with the death toll like flood waters from a storm surge in Outré Theatre Company’s shattering production of The Normal Heart. The play documenting the AIDS epidemic in New York City during the early 1980s is depicted with scorching and excoriating emotional honesty.
To say that Sondheim’s Passion is not to every intelligent patron’s taste is an understatement. But if you can open yourself up to it, Zoetic Stage’s production is a transcendent work of performance art with the power to rip into your psyche and reaffirm the transformative power of love.