Tag Archives: Corey Vega

Imagination Makes Area Stage’s Wizard Of Oz For Adults & Kids

Hearing that Area Stage Company is mounting The Wizard of Oz might make childless theatergoers pass. It would be their loss. Director Giancarlo Rodaz, his inexhaustible cast and creative crew have constructed a charming, witty and entertaining riff whose sterling quality is how they resourcefully solve staging problems that otherwise would require a far bigger budget.

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Freaky Friday Is Fun For Kids, But Resonating For Adults

Put aside your expectations that the musical Freaky Friday is going to be yet another manipulative Disney raid on its popular film titles, designed primarily for those who fondly recall one of three cinematic versions. Instead, Slow Burn Theatre Company has delivered a thoroughly enchanting evening, one of most polished and downright fun productions it has offered in recent years.

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Imagination Substitutes For Big Budget In Delightful Shrek

Director Giancarlo Rodaz made a virtue out of a tiny budget by substituting imagination for cash plus a joyful embrace of theatrical artifice in his production of Shrek the Musical at Area Stage Company.

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Peter Still Refuses To Grow Up, Thankfully, In Starcatcher

Slow Burn Theatre Company’s rollicking race-down-the-hill production of Peter and the Starcatcher is a joyful hoot packed with more sight gags, puns, pratfalls, wordplay and even a bit of wistfulness than arguably any other recent work including the current The Play That Goes Wrong.

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Slow Burn’s Heathers Sings To The Teenage Misfit In Us All

You know you wanted to murder some abusive soul-crushing bullies and snobs when you were in high school. Heathers knows it and wants to liberate your daydream. So do the cool kids and not-so-cool kids at Slow Burn Theatre Company giving a hilarious don’t-miss production of the 2014 off-Broadway musical version of the 1988 cult classic film.

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Slow Burn Lands Really Big Fish In Bow At The Broward Center

With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.

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