Tag Archives: Sean McClelland
Mamma Mia! is another one of those Great Continental Divides in theater: you either love it – or you hate yourself for standing up and clapping along in the final mega-mix medley of infectious earwigs. As proven by Actors’ Playhouse’s full-out production, the damn thing can be a lot of good ol’ fun if you let yourself enjoy it.
Classic American values of friendship, tolerance, freedom and a sense of subversive independence are lovingly and joyously resurrected in Slow Burn Theatre Company’s Big River, a revival-like celebration of an America that likely never existed but speaks to what we wish we had been and represent what we once hoped we’d be.
The enduring genius of Titanic the Musical beautifully limned by Slow Burn Theatre Company is that while it arely nods at what’s to come, it relies on the audience viewing the initial paeans to progress and dreams with the knowledge that this optimistic vision will be swept away by fate, Nature or the very God being prayed to.
Thomas Wolfe warned that you can’t go home again, but Slow Burn Theatre Company’s revival of its 2012 production of Avenue Q is a welcome and joyful return to the neighborhood and the ol’ gang.
A near epic vision unfolds in Slow Burn Theatre Company’s brave, ambitious and dark The Hunchback of Notre Dame resulting in the one of the most powerful musicals seen in South Florida in recent years featuring two memorable performances, a hardworking ensemble and orchestra, evocative production values and an invaluable choir flanking the stage.
You know you wanted to murder some abusive soul-crushing bullies and snobs when you were in high school. Heathers knows it and wants to liberate your daydream. So do the cool kids and not-so-cool kids at Slow Burn Theatre Company giving a hilarious don’t-miss production of the 2014 off-Broadway musical version of the 1988 cult classic film.
Since you can understand the lyrics here better than in any previous production, Slow Burn Theatre Co.’s Spring Awakening, the powerful punch and pungent poetry come through with a clarity that elevates this edition over the others. It ranks among the troupe’s most polished, accomplished and effective work.
With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.
With Bonnie & Clyde, Slow Burn Theatre Company has found the strengths in a “troubled” work and forged an entertaining even intermittently thrilling work. It keeps nudging upward the level of quality and polish without sacrificing a commitment to tackling edgy, difficult work that few would attempt.
Bodies seem to fly through the air and end up in a plethora of entwined positions worthy of a terpsichorean Kama Sutra in The Wick Theatre’s thrilling musical revue Swing. Indulge yourself in one of the most energetic and uniformly talented dance corps we’ve seen here in many a year.