Tag Archives: outre theatre company
Thrill Me, a stunning musical about the child murderers Leopold and Loeb, closes out Outre Theatre Company’s season with a two-man, one-act piece noteable for offbeat immediacy and barebones potency of a feverish fringe festival favorite.
Outré Theater Company goes out on a limb for Mr. Marmalade and for savvy audience members who want to be challenged, it couldn’t be more smartly satisfying.
In addition to the two major productions still running that opened earlier this month and the four productions that opened last week, there will be 10 – count ‘em 10 – productions opening this week, not to mention five more opening the following week.
The nominations for Carbonell Awards honoring theatrical excellence in South Florida released today provide some interesting material for observers to chew over. The nominations seem to depict a very healthy year for musicals and a less impressive number of new works produced, quality notwithstanding. The standout element was the large number of nominations honoring young and/or struggling companies.
Like the rest of the country, South Florida theater took tentative steps throughout 2013, banking on the promise of a recovering economy and a durable demand for art. Evidence was visible across the three counties: theaters mostly opening not closing, established companies moving into new venues, young companies finding audiences, runs extended, a continued commitment to riskier experiments .
As certain as mistletoe and Auld Lang Syne are top ten lists from arts critics. These are the shows that spoke to me personally and professionally, the ones I’d want to see again.
In keeping with Outré’s commitment to go-big-or-go-home, its Much Ado About Nothing is a valiant effort that only works some of the time. There are low comedy laughs, but the intricate word play and fleeting moments of verbal loveliness usually gets lost in the mouths of actors uncomfortable with Shakespearean speech.
Outré Theatre Company staged a concert version of Bloody Bloody Andrew Jackson this past weekend at Mizner Park to see whether the fledgling company could pull off the logistics and to ask the audience whether they want to see a full production. Count this as the first enthusiastic “yes.”
Encouraging trends emerge while poking among the entrails of the new season schedules for South Florida theater. Among them: an emphasis on new and newer works as producers and artistic directors try to seduce younger audiences, meaning people under 70.
So this is just a baker’s dozen that I personally rate as the most intriguing, promising or unarguably important opportunities to be entertained or moved by in the coming 2013-2014 season. But no refunds. No razzing a year from now, “What were you thinking?”