Tag Archives: Renee Elizabeth Turner

Coming: Hamlet in the A.M., MNM Gets Closer Than Ever, Lupone Sends A Live Concert

With exploratory baby steps, South Florida theater companies are staging events: A cut-down Hamlet by the Shakespeare Troupe, a filmed full production of Closer Than Ever by MNM, and Patti LuPone in a livestreamed concert for the Broward Center.

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The Wick’s Pirates Is The Very Model Of A Modern G&S

This may seem a backhanded compliment, but it is meant with awe : The most memorable aspect of The Wick Theatre’s The Pirates of Penzance is you can understand the bloody words. The production has many other virtues: delightfully broad comedy a parade of costumes that are a hoot in themselves, first-rate soloists and an overwhelming choir-smooth ensemble.

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Lightning Bolt’s Into The Woods Gives Modern Resonance

Into the Woods’ disturbing second act occurs in a boy’s nightmare in Lightning Bolt Production’s riveting, pulse-quickening production at the West Boca Performing Arts Center. Director Jessie Hoffman has re-imagined the musical from the narrator’s perspective. That character, who in this production is a 12-year-old boy, plays a larger role than in other mountings.

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Evening Star’s Murdered To Death Is Supremely Silly Fun

In Evening Star’s Murdered To Death, this comic murder mystery satire becomes so supremely silly with slapstick, overheated melodrama and an endless supply of verbal blunders that the actors have little recourse but to succumb to the infectious laughter from the audience.

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Shorts Gone Wild 2: More About Relationships Than Risque

So the Cowardly Lion walks into a gay bar…. That premise pretty reliably lets you know that you must be watching the new edition of Shorts Gone Wild 2, the mildly risqué festival of short plays with a LGBT underpinning.

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Wick Theatre Proves Itself With Solid Soaring Sound Of Music

To answer the question that most folks are wondering after The Wick Theatre’s bow Friday night: Yes, there is a credible, substantial new player in town. The inaugural production of The Sound of Music has the feel of a fully-realized no-excuses production because it is, indeed, a polished, three-dimensional work of theater.

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