Tag Archives: Peter Galman
Thinking Cap Creates Shakespeare’s Multi-Genre Cymbeline This Month
Thinking Cap Theatre is creating a reimagined version of Shakespeare’s Cymbeline opening Dec. 5, what its director terms “It’s Shakespeare’s most thrilling—and, in my opinion, his funniest—work.”
Better Late Proves It’s Never Too Late at Pigs Do Fly
An actress dealing with guilt from of her first marriage as she copes with her second marriage is the core of Better Late, a present-day dramady from Pigs Do Fly Productions.
Thinking Cap’s King Lear Is A Study In Imagination
Peter Wayne Galman in Thinking Cap Theatre’s production is a likeable Lear. He’s also narcissistic, ego-centric, driven, demanding, confused, playful and timeless. It helps that Galman delivers William Shakespeare’s poetry like the masters – think Ian McKellen, Sir John Gielgud. There isn’t a word that isn’t sacrosanct. He relishes the work, and, in turn, audiences will, too.
Unabashedly Romantic South Pacific Sets Sail At The Maltz
The Maltz Jupiter Theatre’s nearly flawless production with a gloriously delivered score and nuanced script is a reminder that South Pacific is a contender as one of the most affecting and best constructed examples of the genre.
Maltz’s Born Yesterday Is A Progressive Take On A Classic Didactic 1940s Comedy
Maltz Jupiter Theatre’s season-opening rendition of Born Yesterday can’t pave over the script’s glaring weaknesses, but it amplifies the source material’s progressive strengths. Director Peter Flynn has mounted a handsome and drum-tight production anchored by a pair of note-perfect leads.
Stand Up, Wick Theatre’s Guys And Dolls Is Rockin’ The House
One quiet fear of frequent theatergoers is that some well-meaning troupe will bungle a piece they love and override precious memories with mediocrity. Well, breathe easier. The Wick Theatre’s rendition of Guys and Dolls, widely considered one of the best musical comedies ever written, is as buoyant and spirited a triumph as a fan could wish.
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