Tag Archives: Avi Hoffman
The musical One More Yesterday may see it itself as a work in progress, but enfold yourself in this humorous, tuneful and heartfelt work, especially to savor Angie Radosh giving yet another superb performance.
In movies, “ordinary people” facing a dystopian challenge miraculously find courage and composure. We would be more like the extended family slowly coming unglued in Theatre Lab’s premiere of Last Night in Inwood as civilization disintegrates.
Unabashed charm is not a quality one associates with modern musicals, but it is the predominant and reasonably satisfying virtue if you take the Wick Theatre’s time machine back 61 years to the opening of Milk and Honey, the first full-length musical by promising newcomer Jerry Herman.
GableStage takes a break from race relations and Arthur Miller to create Boca, a chuckle-fest as well-constructed and skillfully executed as any episode of The Golden Girls, the Mary Tyler Moore show or a Carol Burnett skit.
Avi Hoffman is ensuring that proper homage is paid to Joe Papp, the visionary who intersected art and community by making theater accessible to the general public in comprehensibility, neighborhood performances and free admission in “Joe Papp at the Ballroom,” a one-man musical world premiere playing a limited run at GableStage.
Echoing the resurrection of local theater, the new artistic director Bari Newport will inaugurate GableStage’s 2021-2022 season in November directing the late Joseph Adler’s detailed plan for The Price — the first title in an eclectic season featuring a musical and world premieres.
GableStage’s 23rd season under its new producing artistic director Bari Newport will have more productions and additional performances in what is currently planned to be offered in full houses. The schedule is unveiled here.
Home is the place where they have to take you in, to paraphrase Robert Frost. It’s also the place where every family dynamic plays out — love, resentment, growing pains, conflict, chaos, worry and secrets — as shown in the Maltz Jupiter Theatre’s superb production of Brighton Beach Memoirs, smoothly directed with a first-class cast, the Maltz production hits all the high notes
With the Maltz Jupiter Theatre’s upcoming Brighton Beach Memoirs, director J. Barry Lewis says people need to “come forward with a new perspective on what a Neil Simon play is, not just what you think.”
GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.