Tag Archives: Angie Radosh

Music In The Air: A Few Sweet Notes From Radosh, Fantel, Keelor — And Even Ben Hecht

Local stages have some special programs running for only one or two days starting tonight including Palm Beach Dramaworks, GableStage and Arts Garage.

Posted on August 16, 2017 by Bill Hirschman

Posted in News | Tagged Angie Radosh, Arts Garage, Caryl Fantel, GableStage, Palm Beach Dramaworks, Shelly Keelor | Leave a comment

My Back Pages: In Middletown, Detached Formalism Hamstrings A Touching Narrative

A top drawer cast marks an unusually but intentionally bare bones production of Dan Clancy’s new play Middletown tracking the arc of four lives.

Posted on December 4, 2016 by Bill Hirschman

Posted in Performances, Reviews | Tagged Angie Radosh, Barbara Bradshaw, Dan Clancy, Levis JCC, Middletown, Peter Galman, Peter Librach, Peter Pileski | Leave a comment

Wick’s Curtains Is Musical For The Theater Nerd In All Of Us

Curtains is a show designed for anyone who loves musical comedy, or anyone who has ever played Toto in a community theater production of The Wizard of Oz. Envisioned as a no-calories hoot of a love letter to the quirky dysfunctional denizens of the theater, it is accurately promoted with tongue firmly in cheek as “A New Backstage Murder Mystery Musical Comedy.”

Posted on February 28, 2016 by Bill Hirschman

Posted in Performances, Reviews | Tagged Alan Gerst, Alex Jorth, Angie Radosh, Brian Padgett, Clayton Phillips, Cliff Burgess, Curtains, Emily Tarallo, Fred Ebb, John Kander, Julie Kleiner, Kevin Healey, Mallory Newbrough, Michael Ursua, Peter Librach, Rupert Holmes, Tony Edgerton | Leave a comment

Dramaworks’ History Boys Celebrates Intelligence And Education For Its Own Sake

Nearly everyone in the Palm Beach Dramaworks’ superb production of The History Boys is in love with unleashing flash floods of verbiage in an orgy of ideas illustrated by their addiction to quoting a pantheon encompassing W.H. Auden and Frederick Nietzsche in rapid fire banter

Posted on December 5, 2015 by Bill Hirschman

Posted in Performances, Reviews | Tagged Angie Radosh, Cliff Burgess, Colin Asercion, Colin McPhillamy, J. Barry Lewis, Jelani Alladin, John Evans Reese, Kristian Bikic, Kyle Branzel, Matthew Minor, Mike Magliocca, Nathan Stark, Palm Beach Dramaworks, Rob Donohoe, The History Boys | Leave a comment

Dramaworks Director Digs Deep Into Layers of The History Boys

Probably the last place you’d want to be after rehearsing with the same cast and crew for weeks, then knowing you’re heading into a month-long run would be gathering at a table for Thanksgiving dinner. But that’s where some members of the cast of Palm Beach Dramaworks’ The History Boys found themselves on the recent holiday.

Posted on December 3, 2015 by Bill Hirschman

Posted in Features | Tagged Angie Radosh, Cliff Burgess, Colin McPhillamy, J. Barry Lewis, Palm Beach Dramaworks, Rob Donohoe, The History Boys | Leave a comment

2014-15 Silver Palm Awards Announced For 27 Honorees

Twenty-seven theater artists and organizations will receive the eighth annual South Florida Silver Palm Theatre Awards honoring an outstanding or unique contribution,” the group announced Monday.

Posted on October 19, 2015 by Bill Hirschman

Posted in News | Tagged Andy Rogow, Angie Radosh, Antonio Amadeo, Barbara Sloan, Bruno Faria, David Arisco, Derelle Bunn, GableStage, Iris Acker, Island City Stage, John Manzelli, Joseph Adler, Josieu Jean, Kristian Bikic, Lance Blank, Laura Turnbull, Makeba Pace, Mary Damiano, Mia Matthews, Michael McClain, Michael McKeever, Mike Westrich, Natalia Coego, Nicholas Richberg, Nicole Stodard, Niki Fridh, Palm Beach Dramaworks, Robert Johnston, Ron Levitt, Shane Tanner, Shelley Keelor, Silver Palm Theatre Awards, Slow Burn Theatre, Stephanie White, The Vanguard Theatre, The Wick Theatre, Tony Finstrom | Leave a comment

Dramaworks’ Buried Child Is Harrowing Thrilling Theater

Palm Beach Dramaworks’ Buried Child is not a pleasant evening of entertainment; it’s more of scathing abrasion therapy that purges the mental palate with fare that is as harrowing as a plow etching a deep gash in the land. But it is theater at its best.

Posted on April 1, 2015 by Bill Hirschman

Posted in Performances, Reviews | Tagged Angie Radosh, Buried Child, Cliff Burgess, David Nail, J. Barry Lewis, Jeff Modereger, Kirk Bookman, Leslye Menshouse, Olivia Gilliatt, Paul Tei, Richard Szczublewski, Rob Donohoe, Sam Shepard | Leave a comment

Palm Beach Dramaworks To Unearth Shepard’s Buried Child

Director J. Barry Lewis has a way of approaching a play like Sam Shepard’s Buried Child, the Pulitzer Prize-winning work that gets a staging by Palm Beach Dramaworks beginning March 27 and through the month of April.

Posted on March 23, 2015 by Bill Hirschman

Posted in Features | Tagged Angie Radosh, Buried Child, Dan Leonard, David Nail, J. Barry Lewis, Olivia Gilliatt, Palm Beach Dramaworks, Paul Tei, Rob Donohoe, Sam Shepard | Leave a comment

The Best Of Times Is Now: Memorable Moments Of 2014

Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.

Posted on December 22, 2014 by Bill Hirschman

Posted in Features | Tagged 42nd Street, A Chorus Line, Abby Perkins, Abigail Berkowitz, Actors’ Playhouse at the Miracle Mile, Alexander Zenoz, Amy Miller Brennan Anne Chamberlain, Andy Barbosa, Angie Radosh, Antonio Amadeo, Arca Images, Arsht Center, Arts Garage, Assassins, Back of the Throat, Bad Jews, Blythe Gruda, Bruno Vida, Carrie, Centralia, Chaz Mena, Chess, Chris Crawford, Christina Groom, Church, Clark Gable Slept Here, Clay Cartland, Coconut Grove Playhouse, Dana Castellano, David Arisco, Edges, Elizabeth Dimon, Ellis Tillman, Eric Alsford, Ethan Henry, Faiza Cherie, GableStage, Gidion's Knot, H2OMBRE, Hedda Gabler, Hurricane, Island City Stage, Jerry Gulledge, Jerry Waxman, John Archie, Julie Kleiner, Karen Stephens, Katherine Amadeo, Keith Garsson, Laura Ruchala, Lela Elam, M Ensemble, Mad Cat Theatre, Makeba Pace, Maltz Jupiter Theatre, Marcia Milgrom Dodge, Margaret Ledford, Mariand Torres, Mark Sanders, Michael McKeever, Mike Eidson, Miracle on South Division Street, Mothers And Sons, Murder Ballad, My Old Lady, Natalia Coego, New Theatre, Nicholas Richberg, Nicole Piro, Nilo Cruz, outre theatre company, Palm Beach Dramaworks, Parade, Patrice DeGraff Arenas, Patrick Fitzwater, Paul Reekie, Pembroke Pines Theater of the Performing Arts, Peter and the Starcatcher, Plaza Theatre, Primal Forces Productions, Ricky J. Martinez, Robert Johnston, Ron Hutchins, Serafín Falcón, Shane Tanner, Slow Burn Theatre Company, Summer Shorts, Sunset Baby, Terry M. Cain, The King and I, The Marvelous Wonderettes, The Mountaintop, The Trouble With Doug, The Wick Theatre, Thinking Cap Theatre, Tim Altmeyer, Tom Wahl, University of Miami, What's New Pussycat, William Hayes, Yoshinori Tanokura, Zoetic Stage | Leave a comment

Emotional Ravages, Changing Attitudes To Homosexuality In GableStage’s Mothers And Sons

GableStage’s production of Terrence McNally’s script Mothers And Sons surpasses the Broadway premiere by depicting close-up the devastating pain when deep emotional wounds inflicted decades earlier are ripped open again. And it depicts the process of rending apart the psychic scab in unforgiving real time.

Posted on September 21, 2014 by Bill Hirschman

Posted in Performances, Reviews | Tagged Angie Radosh, Jeremiah Musgrove, Joseph Adler, Michael McKeever, Mothers And Sons, Terrence McNally | Leave a comment