Writing a review of Primal Force’s Villainous Company, which has more plot twists than a Christmas corkscrew, is going to be hard because we wouldn’t dare to give away any spoilers. Suffice it to say that nothing but nothing is what it seems and no one but no one is whom they seem – and there are layers under layers in this 80-minute chamber crime thriller.
Neil Simon’s dark comedy The Gingerbread Lady gets a fine production at Primal Forces featuring a bravura performance from Patti Gardner.
Having Our Say is likely the first play in which both of its characters are centenarian women of color. At Primal Forces’ regional premiere, this means two roles of uncommon heft and history for Karen Stephens and Avery Sommers.
The Pigs Do Fly company, dedicated to work by and for people over 50 years old, examines women’s issues during a day on the golf course in the full-length play The Ladies Foursome.
Laura Turnbull in the solo show The Pink Unicorn from Primal Forces places us in the headspace of a widowed mother in a small—and small-minded—Texas suburb who transforms into an unwitting advocate for gender liberation.
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Posted in Features
Tagged A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, Actors Playhouse, After, Alex Alvarez, An Act of God, Andre' L Gainey, Anna Lise Jensen, Arts Garage, Arturo Rossi, Avery Sommers, Aygemang Clay, Barbara Bradshaw, Bessie Smith: The Devils’ Music, Betsy Graver, Buyer & Cellar, Caryl Fantel, Charlie Cinnamon, Chris Crawford, Clay Cartland, Conor Walton, Dan Knechtges, David Arisco, David Nagy, Deana Butler-Rahming Ja’Nia Harden, Deborah Zoe Laufer, Elizabeth Dimon, Evening Star Productions, Feeding The Bear, Florida Grand Opera, GableStage, Genie Croft, Gregg Weiner, Gretchen Porro, Ground Up and Rising, Hand To God, Heathers, Helen Gregory, I Love A Piano, Island City Stage, James Brennan, Jeni Hacker, Jim Gibbons, Jodi Dellaventura, John Harden II, Joseph Adler, Julie Kleiner Davis, Karen Stephens, Keith Garsson, Kevin Black, Kristian Bikic, Larry Buzzeo, Laura Hodos, Lindsey Corey, Long Day's Journey Into Night, Louis Tyrrell, Lourelene Snedeker, Mad Cat Theatre Company, Maltz Jupiter Theatre, Marco Ramirez, Margery Lowe, Maria Elena Garcia, Mark Duncan, Matt Loehr, Matthew Korinko, Maureen Anderman, Me and My Girl, Mia Matthews, Michael Aman, Michael McKeever, Million Dollar Quartet, Mud, Murdered To Death, New Theatre, Nicholas Richberg, Nicole Stodard, Niki Fridh, Our Lady of 121st Street, outre theatre company, Palm Beach Dramaworks, Parallel Lives Chris Crawford, Passion, Patrick Fitzwater, Paul Tei, Perfect Arrangement, Peter Galman, Peter Lovello, Putting It Together, Rapture Blister Burn, Ricky J. Martinez, Ron Hutchins, Roof, Rudi Goblen, Sarah Gracel Anderson, Shein Mompremier, Simply Simone: The Music of Nina Simone, Skye Whitcomb, Slow Burn Theatre Company, Smoke, Sondheim On Sondheim, Spring Awakening, Stuart Meltzer, The Flick, The Hunchback of Notre Dame, The Minister’s Wife, The Nether, The Passenger, The Realistic Joneses, The Royale, The Soul of Motor City, The Wick Theatre, The World Goes Round, Theatre At Arts Garage, Theatre Lab at Florida Atlantic University, Thinking Cap Theatre, This Random World, Three Sisters of Weekhauken, Toddra Brunson, Tom Wahl, Wesley Slade, West Side Story, William Hayes
The intersection, overlap and conflict of love and sex – but above all how they affect relationships — form the basis of Theatre at Arts Garage’s uneven but intriguing entry appropriately entitled The Mystery of Love and Sex with an emphasis on the word Mystery.
A bravura tour de force by Avery Sommers is central to the success of Arts Garage’s production of The Devil’s Music: The Life and Blues of Bessie Smith
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
Posted in Features
Tagged Actors Playhouse, Aida, Alexander Dinelaris, Alexandria Lugo, Ali MacGraw, Alliance Theatre Lab, Always... Patsy Cline, Ana Villafane, Andrea Burns, Andy Rogow, Andy Senor Jr., Ann Marie Olson, Anne Chamberlain, Antonio Amadeo, Arsht Center, Arts Garage, Avi Hoffman, Barbara Sloan, Beverly Blanchette, Bloody Bloody Andrew Jackson, Bruno Vida, Buried Child, Casey Dressler, Christian Vandepas, Christina Groom, Christine Dolen, Coconut Grove Playhouse, Collin Carmouze, Darrick Penny, Ellie Patterson, Emilie Papp, Emmanuel Schvartzman, Fully Committed, Genie Croft, Giordan Diaz, Gypsy, Henry Gainza, Infinite Abyss, Island City Stage, J. Barry Lewis, Jen Chia, Jessica Brooke Sanford, Joanna Penny, John Manzelli, Joseph Adler, Kaitlyn O'Neill, Katherine Amadeo, Keith Garsson, Kunya Rowley, Laura Hodos, Lauren Bell, Lee Roy Reams, Levis Jewish Community Center, Lewis J. Stadlen, Lindsey Corey, Lindsey Johr, Lou Tyrrell, Love Letters, Maltz Jupiter Theatre, Marckenson Charles, Marilynn Wick, Mark Della Ventura, Marquee Theatre Company, Matthew Korinko, Melissa Minyard, Mia Matthews, Michael McKeever, Michiko Kitayama Skinner, Natalie Caruncho, New Theatre, Nick Duckart, Nick Santa Maria, Niki Fridh, Nilo Cruz, On Your Feet!, outre theatre company, Palm Beach Dramaworks, Palm Beaches Theatre, Patrick Fitzwater, Paul Louis, Paul Tei, Rick Pena, Rob Donohoe, Robert Johnston, Royal Poinciana Playhouse, Ryan Didato, Ryan O'Neal, Scott Shiller, Shane Tanner, Slow Burn Theatre Company, Small Membership, South Miami-Dade Cultural Arts Center, Stephen G. Anthony, Tally Sessions, The 25th Annual Putnam County Spelling Bee, The Little Dog Laughed, The Wick Theatre, Thinking Cap Theatre, Vanguard Sanctuary for the Arts, Zoetic Stage
What does a man profiteth if he gains technology and loses his artistic soul? And can romance survive ambition when the two collide? Those issues, along with scores of corollaries, swirl through the entertaining thought-provoking Sex With Strangers, accurately subtitled “a romantic comedy for the digital age” kicking off Theatre at Arts Garage’s second incarnation.