Tag Archives: Primal Forces Productions
Writing a review of Primal Force’s Villainous Company, which has more plot twists than a Christmas corkscrew, is going to be hard because we wouldn’t dare to give away any spoilers. Suffice it to say that nothing but nothing is what it seems and no one but no one is whom they seem – and there are layers under layers in this 80-minute chamber crime thriller.
Laura Turnbull in the solo show The Pink Unicorn from Primal Forces places us in the headspace of a widowed mother in a small—and small-minded—Texas suburb who transforms into an unwitting advocate for gender liberation.
In a bit of serendipitous synchronicity with the sequel of Blade Runner and the reboot of Westworld, Primal Forces’ production of The Good Girl explores the complexities of humans creating creatures with artificial intelligence by asking who is influencing who in a world in which technology and humanity are so intertwined.
Lanford Wilson’s wistful and whimsical play Redwood Curtain postulates that the past we stock our psyche with becomes something integral to our being that has to be faced down if we are to move beyond it. It gets a well-meaning outing from the fledgling Primal Forces Production. It’s an intriguing evening that starts the brain cogitating about the themes, but as theater it doesn’t land solidly.
Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.
More than a dozen shows are open and a lot of holiday/family demands are battling for space on your calendar. But shoehorn in Primal Force’s stunning production of a scorching play few have heard of, Sunset Baby, by a playwright few have heard of, Dominique Morisseau.