Tag Archives: Anna Lise Jensen
Writing a review of Primal Force’s Villainous Company, which has more plot twists than a Christmas corkscrew, is going to be hard because we wouldn’t dare to give away any spoilers. Suffice it to say that nothing but nothing is what it seems and no one but no one is whom they seem – and there are layers under layers in this 80-minute chamber crime thriller.
When Man of La Mancha is performed as well as MNM Theatre Company’s production, then the magic is savoring how the innate worth of ideals ultimately prevails over an all-too-recognizable world of violence and evil. Its message does not ignore the profound power of darkness, it avers that its virtues can transcend the darkness, and that their pursuit is an informed choice.
In this tarnished time of disaffection, divisiveness and abandoned ideals, the synergistic resonance of the musical Man of La Mancha is more than a welcome opportunity for director Bruce Linser. The hope-laden messages of aspiration for a better world could not be more timely than this month when MNM Theatre Company mounts the classic musical at the Kravis Center.
There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.
Palm Beach Dramaworks’ Indecent is precisely the kind of thrilling evening that glories in what theater can be – a unique art form that cannot be matched by anything on film, anything hanging on a wall, anything reproducible on an mp3 or an mp4.
If you’re over 40 and you heard that some theater was reviving that chamber musical I Love You, You’re Perfect, Now Change… come on, you said, “Again?” So here’s the really good news: The venerable work about male-female relationships has been updated and overhauled in MNM Theatre’s vibrant production.
The stirring musical Fun Home is a detective story in which the mystery is never solved, but the investigator comes to terms with the existence of the enigma. What Zoetic Stage’s triumphant production does better than the Tony-winning production is its depiction of the unalloyed joy and bottomless agony of discovery in that journey.
What the musical Once illustrates on the stage of Actors Playhouse is the unparalleled power of song to capture and then share the pure pain and pleasure of love.
Slow Burn Theatre Company’s production of The Bridges of Madison County is what critics save up our credibility for – so that when a work of art is this effective, this moving, this captivating, then you’ll know we are urging you to see something truly special.
The world premiere of Michael McKeever’s Finding Mona Lisa at Actors Playhouse initially might seem a light, fascinating beach read about Leonardo DaVinci’s masterpiece — a sometimes droll, sometimes broad comedy for a summer evening. But this episodic time-travelling romp is far more about the multi-faceted relationship of Art and human beings