Tag Archives: Jordon Armstrong
Theatre Lab’s Quiet Muted ‘Harlowe:’ Healing And Feeling
Theatre Lab’s world premiere of Jennifer Lane’s Harlowe is indeed quiet, muted, dense. The titular heroine, who is coping with the emotional and literal scars from some horrific attack, can no longer feel anything, psychologically or physically. The writing, the direction and the acting all are commendable, but it’s a quirky sui generis piece that is hard to plug into emotionally.
Irreconcilable Viewpoints Clash In Outre’s The Christians
All too apropos for our bitterly divided time, Outré Theatre Company’s intellectually stimulating production of Lucas Hnath’s The Christians asks what happens when two sincerely held but diametrically opposed viewpoints inescapably clash.
Starry Night In New City Players’ Transcendent Constellations
It’s almost paternalistic to praise New City Players as one of the gutsiest theaters in the region. But with its carefully-wrought and moving production of Constellations, the Players have outgrown the well-meant but limited expectations that arts patrons have of a so-called “fledgling theater.”
Intriguing Script Needs A Lot More Work In Island City’s The Radicalization Of Rolfe
The world premiere The Radicalization of Rolfe at Island City Stage implies a truly intriguing nesting of premises: starting with how Rolfe, the sweet messenger boy romancing Liesl in The Sound of Music ends up with a swastika on his arm helping the Nazis hunt down the Von Trapps? But this gay-themed drama needs a lot more work on the script.
Florida Sinks Under Water In Mad Cat’s Satirical Firemen
With Fireman Are Rarely Necessary, this world premiere of a socially satirical comedy falls solidly in the anarchic absurdist vibe with grunge icing championed by Mad Cat Theatre Company.
Outre’s Ambitious Vision Of Much Ado About Nothing Only Works Part Of The Time
In keeping with Outré’s commitment to go-big-or-go-home, its Much Ado About Nothing is a valiant effort that only works some of the time. There are low comedy laughs, but the intricate word play and fleeting moments of verbal loveliness usually gets lost in the mouths of actors uncomfortable with Shakespearean speech.
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