Tag Archives: Jeffrey Bruce
Twelve Angry Men judging at PPTOPA
By Aaron Krause Few plays are as riveting as Reginald Rose’s tense classic drama, Twelve Angry Men. In it, the stakes are sky-high as 12 people must decide whether a stranger lives or dies. Late last year, South Florida theater …
PPTOPA’s Few Good Men Augurs Future As Professional Theater
It takes courage to mount a play whose 1992 film version is as iconic as A Few Good Men with an unforgettable performance by Jack Nicholson . But this production of Aaron Sorkin’s play by Pembroke Pines Theatre of the Performing Arts is a promising harbinger as the long-time community theater’s second production as a professional troupe.
Boys Of A Certain Age Examines Gay Lives In The Trump Era
Flawed as it is, few would place Boys of a Certain Age in the same ranks as The Normal Heart and The Boys In the Band. But Dan Fingerman’s script being presented by Empire Stage is an incisive and insightful examination of gay life in 2019 that may be eligible as a time capsule of this moment.
Tennessee’s Stories Sing In Nightingale But Script Rambles
Confessions of a Nightingale spends time listening to Tennessee Williams escorts visitors through a rambling tour of his life. Actor Christopher Dreeson and director Jeffrey Bruce have worked very hard shaping this fascinating material, which is inherently rewarding, but two problems dog the production.
Chicken Coop’s Vanya and Sonia and Masha and Spike Is Not Equal To Script’s Potential
Christopher Durang initially wrote Vanya and Sonia and Masha and Spike to precisely match the inimitable talents of David Hyde Pierce, Sigourney Weaver and Kristine Nielsen. So it’s no surprise that the earnest, eager and ambitious Chicken Coop Theatre troupe based at the Levis JCC in Boca Raton only succeeds in brief flashes and rarely delivers the script’s potential
In New City Players’ Proof, The Numbers Don’t Quite Add Up
The wobbly foundations of fledgling New City Players’ production of David Auburn’s reliable Proof are unlikely to impress seasoned theatergoers, especially those who have seen the play before. From questionable acting choices to frantically paced direction, this Proof only conveys the broad strokes in Auburn’s filial drama.
Chicken Coop’s Taking Sides Looks At Responsibility Of Artists In Nazi Germany
Ronald Harwood’s script and Chicken Coop Theatre’s production of Taking Sides supposedly even-handed look at art and politics isn’t very subtle for most of the play, but it does have two solid performances and one crippling one.
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