Tag Archives: Matt Stabile
As we get older, the reality of loss becomes an inescapable fact of life. How we deal with that is the core of Stephen Brown’s Everything is Super Great at Theatre Lab (subtitled “a comedy about what’s missing”). Brown’s look at four troubled lonely people struggling to cope is quietly mordantly funny, but the humor is infused into underlying poignancy and compassion.
Theatre Lab’s family-friendly production of When She Had Wings posits a young girl, convinced she could fly before she could walk, trying to regain her power of flight.
Theatre Lab’s world premiere of Jennifer Lane’s Harlowe is indeed quiet, muted, dense. The titular heroine, who is coping with the emotional and literal scars from some horrific attack, can no longer feel anything, psychologically or physically. The writing, the direction and the acting all are commendable, but it’s a quirky sui generis piece that is hard to plug into emotionally.
The emotional cauterizing of an already withdrawn teenager by a family dynamic of furious fights and fierce sibling rivalry forms the core of Tammy Ryan’s Tar Beach, receiving a sensitive examination from Theatre Lab.
Ronia, the Robber’s Daughter — the first offering of Theatre Lab’s family-friendly series — satisfies the parameters of youth theatre but with a pedigree that transcends its genre, a production bristles with imagination, wit and pathos that resonate across all generations.
Lots of News: Summer Fest, Charlie Cinnamon, Dramaworks, GableStage, MNM, Stage Door, Spotlight On the Arts & More
Tons of news about South Florida Theatre League, MNM Theatre Company, GableStage, Palm Beach Dramworks, Spotlight on the Arts, Earl Maulding, Actors Playhouse, Broward Stage Door, Lightning Bolt Productions, Theatre Lab, Matt Stabile
Theatre Lab’s production of Lauren Gunderson’s The Revolutionists resembles a blindingly scintillating gem-like puzzle with an infinite number of moving parts that twist in on itself over and over endlessly.
Most Wanted starts out like one of those wacky only-in-Florida tales, but as Peter Sagal’s world premiere at Theatre Lab, evolves the weirdness gives way to poignancy that eclipses the humor and reveals the heartfelt message.
Shorts Gone Wild 5, co-produced by City Theatre with Island City Stage, follows the same entertaining pattern eliciting guffaws, chuckles and a few choked back sniffles with risque and luight blue material. The acting and direction keeps improving year after year and those elements rescue scripts less deftly written. But this edition feels different for an intriguing reason.
The future of the 24-Hour Theatre Project – a popular fund-raiser that cemented the theater community’s solidarity – seemed endangered when its founders, the Amadeos, announced they would be leaving the state. Enter the Theatre Lab, which will present Project on May 1 with the Amadeos’ blessing.