Tag Archives: Matt Stabile
Ich Bin Ein Berliner Links Fall of Berlin Wall, Oppression in Cuba
Theatre Lab invests its growing expertise in multi-media theater performance in Vanessa Garcia’s premiere of Ich Bin Ein Berliner, a heartfelt memoir of a Cuban-American girl who grows up perceiving a growing, resonance between Berlin escaping Communism when the Wall fell in 1989 and the unrealized-as-yet dream of Cuba escaping Communism.
Theatre Lab Offers ‘Berliner’ 3 Ways Including Live – Sort Of
Imaginative theatricality has imbued Theatre Lab’s projects, but this month’s just-outside-the-box venture is breaking the traditional paradigm even further. The premiere of Vanessa Garcia’s Ich Bin Ein Berliner offers three different ways to experience the same raw material, including a live in-person presentation — of sorts.
2020 SoFla Theater: What A Long Strange Trip It’s Been
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
South Florida Theatre League Taps 2020 Remy Award Winners
The prestigious 2020 Remy Awards honoring “unsung heroes who provide outstanding service behind the scenes” have been announced by the South Florida Theatre League: Matt Stabile, Tim Davis, Steven M. Weinger, Gustavo Meimbiela, Marialaura Leslie, Kenya Anthony-Moore, Art Garcia and Judson Wright
Racism & South Florida Theater: Changing The Dance Steps
Asked to spotlight specific problems and potential solutions, everybody had a story of racism infecting the South Florida theater community. Some cited unintentional micro-aggressions in pressure-laden rehearsals. Others underscored systemic failings whose reform will require leaders, supporters and audiences to revaluate everything from what goes on stage to who decides what goes on stage.
SoFla Monologues: A Different Kind Of Room Where It Happens
Across South Florida, 37 artists accustomed to performing in front 1,000 people sat alone in their bedrooms, kitchens, patios, backyards emoting just as earnestly inches away from their laptops. For more than 3 hours Sunday, performers acted monologues written by local playwrights and directed by local colleagues in Theatre Lab’s Online Original Monologue Festival fundraiser to counteract vanished contracts.
“I’m Still Here” SoFla Theaters Say, But What Will ‘Here’ Be?
In-depth report: Sets still standing on stages are silent pledges that these productions and theater itself in South Florida will resume – albeit in what many believe will be a different world. But what that cultural world will look like for audiences and artists could not be more uncertain, say theater professionals who have had to rethink and rethink again their plans. It’s different from when other disasters have struck Florida like hurricanes; this one may be open-ended.
Theatre Lab’s The Glass Piano Is Fairy Tale With Adults’ Lessons
There’s something irresistibly intriguing when a whimsical fairy tale is invoked to teach life lessons to adults. Theatre Lab’s The Glass Piano may have a befuddled king, a savvy servant and a lovely princess. But Alix Sober’s delightfully fanciful and imaginative work is absolutely not a children’s play.
Loss Underlies “Everything Is Super Great’ at Theatre Lab
As we get older, the reality of loss becomes an inescapable fact of life. How we deal with that is the core of Stephen Brown’s Everything is Super Great at Theatre Lab (subtitled “a comedy about what’s missing”). Brown’s look at four troubled lonely people struggling to cope is quietly mordantly funny, but the humor is infused into underlying poignancy and compassion.
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