Tag Archives: Margot Moreland
If you are a Boomer (and be warned, maybe only if you’re a Boomer or their progeny), Slow Burn Theatre Company’s hilarious spoof Disaster! will be in contention for one of the silliest, stupidest and downright funniest nights you have had in theater in recent years.
Slow Burn Theatre Company’s production of The Bridges of Madison County is what critics save up our credibility for – so that when a work of art is this effective, this moving, this captivating, then you’ll know we are urging you to see something truly special.
Over 21 years, City Theatre’s ever-expanding enterprises have developed and maintained a brand-level reputation for entertaining theater; its return to cool weather programming with the current edition of Winter Shorts is just as diverting.
The temptation is to announce that ‘a star is born’ in Actors’ Playhouse’s production of the musical It Shoulda Been You. But that would be mildly insulting to the fact that Cindy Pearce has been working on local stages about 14 years, most memorably as Penelope Pennywise in Slow Burn Theatre’s Urinetown.
A wave of sheer glory lifts the audience into a firmament of validation, redemption and pure beauty in the last ten minutes of Zoetic Stage’s production of the Stephen Sondheim-James Lapine masterpiece Sunday in the Park with George.
The Actors’ Playhouse production of Sondheim On Sondheim transcends the Broadway edition in nearly every detail. The work by eight inspired performers and the band, molded by director David Arisco and musical director David Nagy, would make the master proud.
If Arthur Miller were also a doctor on the side, he might have written a play like Unlikely Heroes. A family drama full of long-harbored resentments and new ones stemming from intimate secrets revealed, this world premiere on view at Boca Raton’s Mizner Park Cultural Arts Center also hinges on a potentially fatal condition that will require an organ donation
In Christopher Demos-Brown’s shattering world premiere Stripped at Zoetic Stage, the audience is faced with a complex child custody case is forced to judge past the surface facets of a case in which it will be impossible to “do no harm.”
Viewing the Maltz Jupiter Theatre’s Les Misérables is like watching an art restorer wipe away decades of obscuring grime from a canvas and savoring what you forgot was hidden underneath – even seeing colors you didn’t know were there. This edition eclipses the quality of almost every production the Maltz has mounted in a decade.
Undo’s premise – a Jewish divorce ceremony that rewinds a couple’s wedding day — sounds so much like a sitcom episode that you keep expecting it to slide into shallow farce. But it doesn’t. The script is shot through with mordant gallows humor, but Parade Productions’ edition keeps excavating the marrow of marital and familial relationships.