Tag Archives: Margot Moreland
Mamma Mia! is another one of those Great Continental Divides in theater: you either love it – or you hate yourself for standing up and clapping along in the final mega-mix medley of infectious earwigs. As proven by Actors’ Playhouse’s full-out production, the damn thing can be a lot of good ol’ fun if you let yourself enjoy it.
A central facet of his premiere Watson at GableStage is depicting what may be the world’s first personal information disaster, a horrifying tragedy as American-licensed technology is sold to the Nazis who later use it to identify Jews for extermination. But what resonates in these times are capitalism’s responsibility to humanity, and the intentional blindness styling itself as innocent ignorance.
Actors’ Playhouse is staging an electric, pulsating production of Memphis — a high-octane, acrobatic dancing, believable performances and soulful, spirited singing. The performers’ voices are versatile, strong and emotive.
When did yesterday’s renegades, who skirted AIDS and lived boheme on a ramen noodle diet in the go-go eighties, become today’s get-off-my-lawners? These questions, and plenty more, linger between the lines of Mr. Parker, Michael McKeever’s elegant dramedy world-premiering at Island City Stage.
If you are a Boomer (and be warned, maybe only if you’re a Boomer or their progeny), Slow Burn Theatre Company’s hilarious spoof Disaster! will be in contention for one of the silliest, stupidest and downright funniest nights you have had in theater in recent years.
Slow Burn Theatre Company’s production of The Bridges of Madison County is what critics save up our credibility for – so that when a work of art is this effective, this moving, this captivating, then you’ll know we are urging you to see something truly special.
Over 21 years, City Theatre’s ever-expanding enterprises have developed and maintained a brand-level reputation for entertaining theater; its return to cool weather programming with the current edition of Winter Shorts is just as diverting.
The temptation is to announce that ‘a star is born’ in Actors’ Playhouse’s production of the musical It Shoulda Been You. But that would be mildly insulting to the fact that Cindy Pearce has been working on local stages about 14 years, most memorably as Penelope Pennywise in Slow Burn Theatre’s Urinetown.
A wave of sheer glory lifts the audience into a firmament of validation, redemption and pure beauty in the last ten minutes of Zoetic Stage’s production of the Stephen Sondheim-James Lapine masterpiece Sunday in the Park with George.
The Actors’ Playhouse production of Sondheim On Sondheim transcends the Broadway edition in nearly every detail. The work by eight inspired performers and the band, molded by director David Arisco and musical director David Nagy, would make the master proud.