One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Posted in Features
Tagged Actors Playhouse, Al Blackstone, Anne Mundell, Anne-Marie Cusson, Area Stage Company, Broward Stage Door, Bruce Linser, Cindy Pearce, City Theatre, Clay Cartland, Conor Walton, David Arisco, David Kwiat, Elena Maria Garcia, Elijah Word, GableStage, Greg Duffy, Gregg Weiner, Ground Up and Rising, Hannah Benitez, Island City Stage, J. Barry Lewis, Jean Josieu, Jessica E. Schulte, Jodi Dellaventura, Joseph Adler, Julie Kleiner, Karen Stephens, Kevin Black, Kevin Reilley, Kimberley Dawn Smith, Leah Sessa, Lindsay Bell, Lindsay Corey, M Ensemble, Main Street Players, Mallory Newbrough, Maltz Jupiter Theatre, Marcia Milgrom Dodge, Margaret M. Ledford, Michael Amico, Michael McClain, Michael Ursua, MNM Productions, New City Players, Nicholas Richberg, Niki Fridh, outre theatre company, Palm Beach Dramaworks, Patrick Fitzwater, Shane Tanner, Slow Burn Theatre Company, Stuart Meltzer, Theatre Lab, Thinking Cap Theatre, Vicki Lewis, Wick Theatre, Zachary Borovay, Zoetic Stage
Palm Beach Dramaworks’ production of the world premiere of Billy and Me, a fictionalization of the real life relationship between playwrights Tennessee Williams and William Inge, is a triumph of the imagination, technique, skill and showmanship of playwright Terry Teachout, director William Hayes and actors Nicholas Richberg and Tom Wahl.
Some works of art are born in a long gestation period of mulling almost in the unconscious; others leap gloriously to life in an exultant flash that is one of joys of being a creative person. Billy and Me, Terry Teachout’s play about the relationship between playwrights William Inge and Tennessee Williams premiering this month at Palm Beach Dramaworks, is both.
Revelation after revelation – none of which the playwright wants us to spoil – are exposed like the proverbial peeling of an onion until the underlying secret lays naked in the world premiere of Ben Andron’s Broken Snow at the J’s Cultural Arts Theatre in North Miami Beach.
Zoetic Stage’s brilliantly-executed bravura production of Harold Pinter’s 1960 The Caretaker may be as baffling as Waiting For Godot. But every element of this comic drama is superb from acting that embraces Pinter’s notorious silences to the fluid staging to the evocative set design to the transcendent lighting.
Posted in Performances, Reviews
Tagged Arsht Center, Daniel Capote, David Kwiat, Fernando Calzadilla, Harold Pinter, Michael McClain, Nicholas Richberg, Rebecca Montero, Stuart Meltzer, The Caretaker, Zoetic Stage
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Posted in Features
Tagged 1776, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, Actors Playhouse, After, Alex Alvarez, An Act of God, Andre' L Gainey, Anna Lise Jensen, Area Stage Co., Arts Garage, Arturo Rossi, Avery Sommers, Aygemang Clay, Barbara Bradshaw, Ben Bagby. The Normal Heart, Bert Rodriguez, Bessie Smith: The Devils’ Music, Betsy Graver, Broward Stage Door, Buyer & Cellar, Caryl Fantel, Charlie Cinnamon, Chris Crawford, Clay Cartland, Conor Walton, Dan Knechtges, David Arisco, David Nagy, Deana Butler-Rahming Ja’Nia Harden, Deborah Zoe Laufer, Elizabeth Dimon, Evening Star Productions, Feeding The Bear, Florida Grand Opera, GableStage, Genie Croft, Gregg Weiner, Gretchen Porro, Ground Up and Rising, Hand To God, Heathers, Helen Gregory, I Love A Piano, Island City Stage, James Brennan, Jeni Hacker, Jim Gibbons, Jodi Dellaventura, John Harden II, Joseph Adler, Julie Kleiner Davis, Karen Stephens, Keith Garsson, Kevin Black, Kristian Bikic, Larry Buzzeo, Laura Hodos, Lindsey Corey, Long Day's Journey Into Night, Louis Tyrrell, Lourelene Snedeker, Mad Cat Theatre Company, Maltz Jupiter Theatre, Marco Ramirez, Margery Lowe, Maria Elena Garcia, Mark Duncan, Matt Loehr, Matthew Korinko, Maureen Anderman, Me and My Girl, Mia Matthews, Michael Aman, Michael McKeever, Million Dollar Quartet, Mud, Murdered To Death, New Theatre, Nicholas Richberg, Nicole Stodard, Niki Fridh, Our Lady of 121st Street, outre theatre company, Palm Beach Dramaworks, Parallel Lives Chris Crawford, Passion, Patrick Fitzwater, Paul Tei, Perfect Arrangement, Peter Galman, Peter Lovello, Putting It Together, Rapture Blister Burn, Ricky J. Martinez, Ron Hutchins, Roof, Rudi Goblen, Sarah Gracel Anderson, Shein Mompremier, Simply Simone: The Music of Nina Simone, Skye Whitcomb, Slow Burn Theatre Company, Smoke, Sondheim On Sondheim, Spring Awakening, Stuart Meltzer, Teddy Harrell, The Flick, The Hunchback of Notre Dame, The Minister’s Wife, The Nether, The Passenger, The Realistic Joneses, The Royale, The Soul of Motor City, The Wick Theatre, The World Goes Round, Theatre At Arts Garage, Theatre Lab at Florida Atlantic University, Thinking Cap Theatre, This Random World, Three Sisters of Weekhauken, Toddra Brunson, Tom Wahl, Wesley Slade, West Side Story, William Hayes
The South Florida Silver Palm Theatre Awards committee honoring theatrical excellence in South Florida will present the award to 28 individuals and organizations in its ninth season. Recipients range from veterans like Joseph Adler to newer names like Aygemang Clay.
Posted in News
Tagged Alex Alvarez, Avery Sommers, Aygemang Clay, Bill Hirschman, Caryl Fantel, Chris Crawford, Christopher Demos-Brown, Clive Cholerton, Elizabeth Price, Emily E. Tarallo, Jeni Hacker, Jennifer Sierra-Grobbelaar, Jodi Dellaventura, Joseph Adler, Kelly Shook, Laura Hodos, Leah Marie Sessa, Lindsey Corey, Matt May, Meredith Bartmon, MNM Productions, Nicholas Richberg, Patrick Fitzwater, Paul Reekie, Paul Tei, Peter Wayne Galman, Ron Hutchins, Shane Tanner, Silver Palm Awards, Stuart Meltzer
in these terrible times of violence, deprivation and polarization, the resonances in Palm Beach Dramaworks’ imaginatively reinvented production of 1776 are deafening. Amid the laugh lines, the dancing and the drama, there is a challenge to us across two and half centuries to deal with our current trials with the same virtues that our forefathers did.
Posted in Performances, Reviews
Tagged 1776, Clay Cartland, Clive Cholerton Gary Cadwallader, Craig Ames, James Berkley, Kevin Healy, Laura Hodos, Mallory Newbrough, Matthew Korinko, Michael Collins, Nicholas Richberg, Sandi Stock, Shane R. Tanner, Troy Stanley, William Hayes
A deeply polarized citizenry, partisans with irreconcilable ideas about the role of government, a stalled deliberative body, confusion, anxiety. Sound familiar? The current political climate has spurred Palm Beach Dramaworks to reinvent that July perennial musical 1776 to highlight the similarities between us and the Founding Fathers in its production July 1-24.
Posted in Features
Tagged 1776, ames Berkley, Clay Cartland, Clive Cholerton, Dennis Creaghan, Gary Cadwallader, Kevin Healy, Laura Hodos, Mallory Newbrough, Matthew Korinko, Michael Collins, Nicholas Richberg, Sandi Stock, Shane R. Tanner, Troy Stanley, William Hayes
New Theatre, one of the most high-profile Florida theaters for 30 years and developer of the Pulitzer-winning Anna in the Tropics, is closing, its board of directors announced Thursday. The cause appears to be economics although the specifics have not been disclosed. Artistic Director Ricky J. Martinez actually resigned May 23.