Tag Archives: Peter Galman

Maltz’s Born Yesterday Is A Progressive Take On A Classic Didactic 1940s Comedy

Maltz Jupiter Theatre’s season-opening rendition of Born Yesterday can’t pave over the script’s glaring weaknesses, but it amplifies the source material’s progressive strengths. Director Peter Flynn has mounted a handsome and drum-tight production anchored by a pair of note-perfect leads.

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Orwell’s Prescient Novel Is Prime Virtue Of Outre’s 1984

The prescient genius of George Orwell is the blinding virtue in Outré Theatre Company’s earnestly delivered but sluggish production of the painfully relevant 1984. It remains jaw-dropping that Orwell foresaw in 1949 a nightmare of social, political, emotional, intellectual and technological insanity whose resonances in 2017 are deafening.

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Stand Up, Wick Theatre’s Guys And Dolls Is Rockin’ The House

One quiet fear of frequent theatergoers is that some well-meaning troupe will bungle a piece they love and override precious memories with mediocrity. Well, breathe easier. The Wick Theatre’s rendition of Guys and Dolls, widely considered one of the best musical comedies ever written, is as buoyant and spirited a triumph as a fan could wish.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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My Back Pages: In Middletown, Detached Formalism Hamstrings A Touching Narrative

A top drawer cast marks an unusually but intentionally bare bones production of Dan Clancy’s new play Middletown tracking the arc of four lives.

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Thinking Cap’s ‘Death of Disney’ Is Wonderful World Of Challenging Theater

A Public Reading of an Unproduced Screenplay about the Death of Walt Disney is not easy theater, by any means, but not one that Thinking Cap would ever shy away from. Their tagline is “theatre exploding with thought” and if any play fits the mission, this one does

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Area Stage’s The Nether: Moral Implications Of Living Forever In An Internet Fantasy World

Area Stage Company delivers an unsettling, thought-provoking evening with its musings on the implication of an unbridled Internet of the future in The Nether.

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Casa Valentina Explores The Men Beneath The Pearls And Lipstick At GableStage

Harvey Fierstein’s thought-provoking Casa Valentina play at GableStage explores is that sexuality as an infinitely varied stew of preferences, prejudices and other ingredients in varied measures

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Cock Takes Hard Look At Nature of Love; GableStage Production Rises to the Occasion

Sex, despite the title at GableStage, and despite the plot, is not what Cock is about. And guess what? It’s sexy. It’s very sexy. But this is a story about love, labels and the pressure society puts on persons to make decisions about both.

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