Tag Archives: Nick Duckart
Joseph Adler, a titan who helped transform South Florida’s cultural landscape by mounting unblinking, dynamic work and aggressively championing local artists, died Thursday. Passionate and outspoken, curmudgeonly and supportive, gruff and loving, but unassailably a skilled artist, Adler had been a force of nature as producing artistic director of GableStage since 1998.
Travelling in the national tour means moving to a different hotel in a different city nearly every week, not always sure what city that is, maintaining relationships with loved ones from afar, striving to keep the show fresh when you’ve done the material hundreds of times. And bats divebombing the performance. Just ask Hialeah native Nick Duckart travelling with Come From Away as it approaches the Kravis and Broward Center.
Even writing about it the next day, the warmth still glows. In this time, to quote a lyric from another show, “of cold and darkness, in this terrifying night,” the affirmation of basic human decency engendered by the national tour of Come From Away stays comfortably nestled inside, nurturing hope for the future.
Hialeah-born actor Nick Duckart is coming home again from New York City. But he is a long way from the days struggling to sell televisions at Circuit City or vending souvenirs for shows at Lincoln Center. This visit fulfills a long-time dream: appearing in the national tour of the musical Come From Away— but being a crucial part of an emotionally powerful musical with an unusually close-knit company.
The miracle of the Carousel when it’s done well, as it is in this Actors Playhouse production, is that although it’s 72 years old and its protagonists are a wife-beating ne’er-do-well and the woman who stubbornly loves him despite the domestic violence, the bloody thing works in the 21st Century.
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
The modern musical has its glories, but none unabashedly embrace pure feeling in quite the way Tom Jones and Harvey Schmidt did in the 1960s. So be thankful for Palm Beach Dramaworks’ concert” series’ courageous celebration of heartfelt sentiment in 110 In The Shade.
The utterly charming new show at Actors’ Playhouse is a musical for, by and about the 21st Century Urban Neurotic Young Adult in that eternal crucible of awkward human relations: the “First Date.”
As far as large-scale Broadway musicals, Ragtime stands as Actors’ finest mainstream work ever, as accessible and satisfying as it is passionate and thoughtful. Anyone who cares about musical theater, or theater in general, should make a special effort to see this production.
The overall picture may seem a bit disjointed and fuzzy, but the world premiere of The Cuban Spring at New Theatre incisively depicts the complexities of Cuban-American families in modern Miami as their American-born generation conflicts with parents struggling with ghosts of their birthplace.