Tag Archives: Cliff Burgess
Palm Beach Dramaworks’ production of the world premiere of Billy and Me, a fictionalization of the real life relationship between playwrights Tennessee Williams and William Inge, is a triumph of the imagination, technique, skill and showmanship of playwright Terry Teachout, director William Hayes and actors Nicholas Richberg and Tom Wahl.
Palm Beach Dramaworks’ production of Arcadia is Tom Stoppard’s love letter to the miracle of human intelligence’s pursuit of learning — with a gentle jab at the hubris of those who are so taken with that pursuit.
Why Not? With Richard Nixon is perhaps Mad Cat Theatre Company’s most Mad Catty show ever, a production for company insiders that is esoteric enough to reference another Mad Cat show in its text. If you feel invited to this self-contained world, you’ll have a blast; if not, you may feel you’re observing a bubble you can’t enter, looking at your watch and waiting for it to pop.
A double sense of “life after death” pervades the touching and beautifully rendered The Tin Woman drama suffused with wit now playing at Actors Playhouse as spring slides into summer.
Some of the most prominent names in playwriting today – plus a local actor and writer – headline an intensive series of readings May 11—14 at Theatre Lab, the professional resident company of Florida Atlantic University headed by Louis Tyrrell.
Curtains is a show designed for anyone who loves musical comedy, or anyone who has ever played Toto in a community theater production of The Wizard of Oz. Envisioned as a no-calories hoot of a love letter to the quirky dysfunctional denizens of the theater, it is accurately promoted with tongue firmly in cheek as “A New Backstage Murder Mystery Musical Comedy.”
Nearly everyone in the Palm Beach Dramaworks’ superb production of The History Boys is in love with unleashing flash floods of verbiage in an orgy of ideas illustrated by their addiction to quoting a pantheon encompassing W.H. Auden and Frederick Nietzsche in rapid fire banter
Probably the last place you’d want to be after rehearsing with the same cast and crew for weeks, then knowing you’re heading into a month-long run would be gathering at a table for Thanksgiving dinner. But that’s where some members of the cast of Palm Beach Dramaworks’ The History Boys found themselves on the recent holiday.
Harvey Fierstein’s thought-provoking Casa Valentina play at GableStage explores is that sexuality as an infinitely varied stew of preferences, prejudices and other ingredients in varied measures
Palm Beach Dramaworks’ Buried Child is not a pleasant evening of entertainment; it’s more of scathing abrasion therapy that purges the mental palate with fare that is as harrowing as a plow etching a deep gash in the land. But it is theater at its best.