Tag Archives: Cliff Burgess
There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.
Palm Beach Dramaworks’ Indecent is precisely the kind of thrilling evening that glories in what theater can be – a unique art form that cannot be matched by anything on film, anything hanging on a wall, anything reproducible on an mp3 or an mp4.
At some workplaces, employees indulge in healthy rivalry, support each other professionally and personally and, sometimes, forge deep friendships that last long after the job has ended. That is not the kind of environment the editorial assistants toil in the caustically dark dramatic comedy Gloria, getting a whip-smart production at GableStage.
Maltz Jupiter Theatre’s An Inspector Calls focuses with laser intent on what the evolving socialist J.B. Priestley saw as its thematic marrow — all individuals have an inescapable responsibility for the well-being of every other human being, and that privileged classes seem obscenely inured to that duty.
Palm Beach Dramaworks’ production of the world premiere of Billy and Me, a fictionalization of the real life relationship between playwrights Tennessee Williams and William Inge, is a triumph of the imagination, technique, skill and showmanship of playwright Terry Teachout, director William Hayes and actors Nicholas Richberg and Tom Wahl.
Palm Beach Dramaworks’ production of Arcadia is Tom Stoppard’s love letter to the miracle of human intelligence’s pursuit of learning — with a gentle jab at the hubris of those who are so taken with that pursuit.
Why Not? With Richard Nixon is perhaps Mad Cat Theatre Company’s most Mad Catty show ever, a production for company insiders that is esoteric enough to reference another Mad Cat show in its text. If you feel invited to this self-contained world, you’ll have a blast; if not, you may feel you’re observing a bubble you can’t enter, looking at your watch and waiting for it to pop.
A double sense of “life after death” pervades the touching and beautifully rendered The Tin Woman drama suffused with wit now playing at Actors Playhouse as spring slides into summer.
Some of the most prominent names in playwriting today – plus a local actor and writer – headline an intensive series of readings May 11—14 at Theatre Lab, the professional resident company of Florida Atlantic University headed by Louis Tyrrell.
Curtains is a show designed for anyone who loves musical comedy, or anyone who has ever played Toto in a community theater production of The Wizard of Oz. Envisioned as a no-calories hoot of a love letter to the quirky dysfunctional denizens of the theater, it is accurately promoted with tongue firmly in cheek as “A New Backstage Murder Mystery Musical Comedy.”