Tag Archives: Wesley Slade
There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.
It’s unfair to the Maltz Jupiter Theatre’s Beauty and the Beast — which is as thoroughly charming on its own merits as you could ask — but understandable that the focus is diverted to its use of puppets to portray the enchanted household objects. So, yes, the vision that Producing Artistic Director Andrew Kato and director John Tartaglia came up with does indeed work, .
MNM Theatre ’s Avenue Q, the musical comedy with foul-mouthed and copulating puppets, has never been as clearly about education as now. It’s the curriculum about coping with disappointment waiting in the real world.
The drolly hilarious Avenue Q, being given a “fine, fine” outing by MNM, is also imbued with a quiet sadness and accompanying sympathy for the loss of hopeful naiveté.
Palm Beach Dramaworks’ team finds the special vibe of Martin McDonagh’s dark comedy set in an unforgiving climate of the heart in The Cripple of Inishmaan.
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Okay, yes, Hand to God has cute obscenity-spouting puppets having sex on stage, but the similarities to Avenue Q stops dead right there. This scorchingly funny and aggressively irreverent play at GableStage is a pitch black comedy about using the fiction of religion to rationalize and excuse the baser natural instincts of Mankind.
GableStage has produced a version Terrrence McNally’s satire about theater, It’s Only A Play, that is funnier and has far more heart than the Broadway edition.
The Wick Theatre’s production of A Funny Thing Happened On The Way To The Forum benefits from Stephen Sondheims’s score and lyrics, but the cast and director need to inject more vaudevillian humor to overcome the material’s inherent sexism,