Tag Archives: Clay Cartland

Peter Still Refuses To Grow Up, Thankfully, In Starcatcher

Slow Burn Theatre Company’s rollicking race-down-the-hill production of Peter and the Starcatcher is a joyful hoot packed with more sight gags, puns, pratfalls, wordplay and even a bit of wistfulness than arguably any other recent work including the current The Play That Goes Wrong.

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MNM ‘s Less Zesty But More Heartfelt La Cage aux Folles

For a show that shattered a ceiling in 1983, La Cage aux Folles has become a warhorse in 2017. MNM Productions’ edition embraces the spangles, glitz and sheer Jerry Herman of it all. So if you haven’t seen it in a while, this is an entertaining reminder. What sets this apart is how it emphasizes the heart rather than the heat – and that’s a welcome emphasis for those who may have seen this classic once too often.

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Company Has Shining Moments, Falls Short Of What Could Be

MNM’s production of Stephen Sondheim’s groundbreaking musical Company is intermittently lit with incandescent performances worth the price of admission by themselves, but the overall piece disappointingly lacks crispness, passion and, until the last 10 minutes, heart.

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GableStage’s Georgia McBride Is No Drag, Well, It Is, But….

One pleasure watching a drag show regardless of your sexual orientation is the vicarious joy of seeing people uncorset their secreted urges and find the liberating self-worth to parade it publicly. That is the unspoken strength underlying the delightful hoot , The Legend of Georgia McBride at GableStage

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Commitment Makes Up For Spectacle In Outre’s Tommy

Outré Theatre Company’s edition of Tommy demonstrates how skill, imagination and pure guts can triumph over the most modest of means. Its greatest virtue in bringing the classic rock opera to the postage stamp stage is a total, laser-focused tsunami-strength commitment.

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Free Show Monday Of Snips Of Censored Plays & Musicals

What do Cabaret, Chicago, Fun Home, Almost Maine and Angels in America have in common? Somebody somewhere has banned their production at some point. To push back, Zoetic Stage and the Dramatists’ Guild Legal Defense Fund with the Adrienne Arsht Center is producing a free staged reading of Banned Together: A Censorship Cabaret at 7 p.m. Monday at the Carnival Studio Theater at the Arsht Center.

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Kander & Ebb’s World Goes Round Gets Affecting Outing

MNM Productions at the Kravis Center’s superb revival of the Kander and Ebb revue The World Goes Round takes us on a detailed tour of the landscape of the human heart, not just the joyful peaks or the crippling abysses, but the winding trails through murky wilderness.

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Dramaworks’ 1776 Provides Lessons All Too Relevant Today

in these terrible times of violence, deprivation and polarization, the resonances in Palm Beach Dramaworks’ imaginatively reinvented production of 1776 are deafening. Amid the laugh lines, the dancing and the drama, there is a challenge to us across two and half centuries to deal with our current trials with the same virtues that our forefathers did.

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An Unusually Apropos 1776 For Our Times At PB Dramaworks

A deeply polarized citizenry, partisans with irreconcilable ideas about the role of government, a stalled deliberative body, confusion, anxiety. Sound familiar? The current political climate has spurred Palm Beach Dramaworks to reinvent that July perennial musical 1776 to highlight the similarities between us and the Founding Fathers in its production July 1-24.

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