Tag Archives: Nicole Stodard

Oscar Wilde Rises Again In Thinking Cap’s Celebration

A love of language and a love of theatricality meld in Thinking Cap Theatre’s ingeniously staged re-interpretation of The Importance of Being Oscar, a celebration of Oscar Wilde. The trio of actors, director and creative team embraces and elevates Wilde’s words of wit and wisdom as if playing glorious music.

Posted on October 18, 2022 by Bill Hirschman

Posted in Performances, Reviews | Tagged Bree-Anna Obst, Nicole Stodard, Ronnie Larsen, The Importance of Being Oscar, Thinking Cap Theatre, Travon Pierre | Leave a comment

Dickens Nailed It: South Florida Theater Two Years In Review

If Dickens’ opening line in A Tale of Two Cities has become a trite cliché through overuse it has become a painfully accurate truism about theater over the past two years, especially South Florida theater. Crippling loss and inspiring resurrection. Surrender and perseverance. And , now, the Covid threat has reasserted. But looking back on those two years delivers a testament worth celebrating and learning from.

Posted on December 28, 2021 by Bill Hirschman

Posted in Features | Tagged Actors Playhouse, Adrienne Arsht Center, Bari Newport, Broward Center, Carbonell Awards, Cecilia Snow, Clay Cartland, Clive Cholerton, Coconut Grove Playhouse, Colin McPhillamy, Darius J. Manuel, Elijah Word, GableStage, Gabriell Salgado, Heather Jane Rolff, Island City Stage, Joe Adler, Karen Stephens, Kimmi Johnson, Kravis Center for the Performing Arts, M Ensemble Company, Main Street Players, Maltz Jupiter Theatre, Margaret M. Ledford, Miami New Drama, Michael McKeever, Nicole Stodard, Palm Beach Dramaworks, Peter Haig, Slow Burn Theatre Company, Stuart Meltzer, Theatre Lab, Timothy Michael Quinn, William Hayes | Leave a comment

2020 SoFla Theater: What A Long Strange Trip It’s Been

A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.

Posted on December 8, 2020 by Bill Hirschman

Posted in Features | Tagged Actors Playhouse, Alan Nash, Alvin Entin, American Son, Andrew Kato, Area Stage Company, Christopher and Justin Swader, Christopher Demos-Brown, Clay Cartland, Coconut Grove Playhouse, Elizabeth Dimon, Florida Sings Showtunes, Giancarlo Rodaz, Groundhog Day, Happy Days, Holly Budney, Island City Stage, Joe Adler, Joseph McDonough, Karen Stephens, Keith Garsson, Kimmie Johnson, Leah Marie Sessa, Mamma Mia, Matt Stabile, Miami New Drama, Michael Ursua, My Name Is Asher Lev, New City Players, Nicole Stodard, Ordinary Americans, Palm Beach Dramaworks, Patrick Fitzwater, Paul Reekie, Peter & Wendy, Peter Librach, Primal Forces, Ronnie Larsen, Seth Trucks, Shelley Keelor, Spencer Landis, Stuart Meltzer, The Cubans, The Wick Theatre, Theatre Lab, Thinking Cap Theatre, Tom Regnier, West Boca Theater Company, Zev Buffman, Zoetic Stage | 1 Comment

Thinking Cap Rises To Stage Especially Relevant Shows

Far from succumbing to fiscal and virus nightmares, Thinking Cap Theatre has been spurred by the intersection of politics and art to resurface this month with three online productions whose relevance resonates with this exact time and place.

Posted on October 9, 2020 by Bill Hirschman

Posted in News | Tagged Bree-Anna Obst, Nicole Stodard | Leave a comment

Act Two For SoFla Theater: A 2-Part Portrait One Month In

PART TWO: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.

Posted on April 19, 2020 by Bill Hirschman

Posted in Features | Tagged Actors Playhouse, Andrew Kato, Andy Rogow, Arsht Center, Barbara Stein, Bree-Anna Obst, Broward Center, Christopher Demos-Brown, COVID-19, David Arisco, Island City Stage, Judith Mitchell, Kelley Shanley, Kravis Center, Maltz Jupiter Theatre, Marilynn Wick, Miami New Drama, Miami-Dade County Department of Cultural Affairs, Michael McKeever, Michael Spring, Michel Hausmann, Nicole Stodard, Palm Beach Dramaworks, Patrick Fitzwater, The Wick Theatre, Theatre Lab, Thinking Cap Theatre, William Hayes, Zoetic Stage | Leave a comment

Act Two For SoFla Theater: A 2-Part Portrait One Month In

PART ONE: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.

Posted on April 18, 2020 by Bill Hirschman

Posted in Features, General | Tagged Actors Playhouse, Andrew Kato, Andy Rogow, Arsht Center, Barbara Stein, Bree-Anna Obst, Broward Center, Christopher Demos-Brown, COVID-19, David Arisco, Island City Stage, Judith Mitchell, Kelley Shanley, Kravis Center, Maltz Jupiter Theatre, Marilynn Wick, Miami New Drama, Miami-Dade County Department of Cultural Affairs, Michael McKeever, Michael Spring, Michel Hausmann, Nicole Stodard, Palm Beach Dramaworks, Patrick Fitzwater, The Wick Theatre, Theatre Lab, Thinking Cap Theatre, William Hayes, Zoetic Stage | Leave a comment

Beckett’s Existential Happy Days Gifts Triumphant Performance

Thinking Cap Theatre’s stunning production of Beckett’s Happy Days, offers an unmitigated triumph of a performance by Karen Stephens expertly molded by Nicole Stodard, but to say this absurdist bleak work is not for everyone is a gross understatement. Some will downright hate it. Others will be transfixed. Few will escape without considering whether how we use the time of our lives is meaningless.

Posted on February 16, 2020 by Bill Hirschman

Posted in Performances, Reviews | Tagged Happy Days, Jim Gibbons, Karen Stephens, Nicole Stodard, Thinking Cap Theatre | Leave a comment

She Shorts Is Female-Centric, But Message Is For Everyone

Alright ladies and gentlemen, boys and girls, she’s and he’s, and those who would prefer not to self-identify, Thinking Cap Theatre and City Theatre’s summer short play fest, She Shorts is for you, so that means everybody.

Posted on July 18, 2019 by Bill Hirschman

Posted in Performances, Reviews | Tagged City Theatre, Courtney King, Daryl Patrice, Elena Maria Garcia, Gail Garrisan, Gladys Ramirez, JC Gutierrez, Jeanine Gangloff Levy, Jordan Patriarca, Margaret M. Ledford, Nicole Stodard, She Shorts, Stephon Duncan, Thinking Cap Theatre | 1 Comment

Intriguing ‘Precious Little’ Delves Into Communication

Thinking Cap Theatre director Nicole Stodard and her fine trio of actresses have inarguably produced an engrossing emotional and intellectual puzzle to stimulate the heart and mind in Precious Little.

Posted on May 11, 2019 by Bill Hirschman

Posted in General | Tagged Carol Sussman, Nicole Stodard, Precious Little, Sabrina Lynn Gore, Thinking Cap Theatre | Leave a comment

Thinking Cap Unleashes The Wild Ambition of Dance Nation

Dare your adult to take your inner child to see Dance Nation at Thinking Cap Theatre in which adults play teenagers prepping for a competition. Were a prize given out today for Best Ensemble, the cast of Dance Nation would take home a trophy.

Posted on January 31, 2019 by Bill Hirschman

Posted in Performances, Reviews | Tagged Bree-Anna Obst, Carol Sussman, Clare Barron, Dance Nation, Jeanine Gangloff Levy, Jim Gibbons, Jordan Patriarca, Kevin Black, Nicole Stodard | Leave a comment