Performances

A Bloody Good Sweeney Todd Erupts At PB Dramaworks

Homicidal rage against a corrupt world spews into the audience in Palm Beach Dramaworks’ Sweeney Todd. But its singular spin is that the serial throat-slitting barber does not start as a vengeance-obsessed fiend. It it adds a dimension of, not forgiveness, but compassion to this cross between gleeful Grand Guignol and merciless condemnation of socio-economic inequity.

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Attend A Slightly Different Sweeney Todd At Dramaworks

Those who love Stephen Sondheim and Sweeney Todd in particular should come with an open mind to this month’s edition at Palm Beach Dramaworks expecting a different spin on the material.

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New City Players’ Twelfth Night Is Midsummer Night’s Dream

Merriment is a word we don’t use much in the 21st Century, but that is the precise adjective to reflect the madcap abandon, tireless physical comedy and unflagging enthusiasm that makes a success of New City Players’ edition of Twelfth Night.

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Minnie’s Boys Is Old School Musical Of The Marx Brothers

Minnie’s Boys is a light comic highly homogenized version of how stage mother Minnie Marx utzed, kvetched and kibbitzed her five sons to transform from a doomed vaudeville singing group to, well, The Marx Brothers.

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Florida Sinks Under Water In Mad Cat’s Satirical Firemen

With Fireman Are Rarely Necessary, this world premiere of a socially satirical comedy falls solidly in the anarchic absurdist vibe with grunge icing championed by Mad Cat Theatre Company.

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Report From New York: It’s Worth A Trip To Ride The Blazing Comet With Pierre & Natasha

It’s difficult to say if the music and lyrics of Natasha, Pierre and the Great Comet of 1812 are noteworthy, but they are overwhelmed by a production and performances arguably beyond nearly anything you have seen on mainstream Broadway for its seamless confluence of bottomless imagination, theatricality, density and energy.

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Report From New York: Six Degrees Is A Forgotten Gem

For some reason, Six Degrees of Separation has fallen off the radar of regional theaters mounting semi-contemporary plays that depict and dissect the angsty zeitgeist of modern life. But the Broadway revival at the Barrymore was a clear reminder that companies in South Florida ought to consider this trenchant expose of 50 Shades of Neediness.

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In Goldberg Variations, Traumatic Family Gathering Becomes Re-enactors’ Playhouse

The stage is a fungible place. Sets can transform, actors can fly, characters can break walls, especially the fourth. There is limitless potential in the blank canvas of floorboards and lighting, as Stuart Meltzer’s gently experimental The Goldberg Variations reminds us at Island City Stage.

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Swing! Swing! Swing! Revue Returns To Broward Stage Door

The skill, power and imagination that Kevin Black, Ben Bagby and their colleagues have invested make Swing! Swing! Swing! as good or better than any other revue that Broward Stage Door has produced. back in time.

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Finding Neverland At The Broward Center Is Pure Magic

Splendidly gorgeous to watch, the creativity of the staging is reason enough to embrace Finding Neverland at the Broward Center On a deeper level, though, there’s something profoundly moving about this drama that’s imagined in a different time and place, yet somehow seeps into modern reality. Perhaps there is such a thing as pixie dust.

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