Tag Archives: Theo Reyna

Florida Sinks Under Water In Mad Cat’s Satirical Firemen

With Fireman Are Rarely Necessary, this world premiere of a socially satirical comedy falls solidly in the anarchic absurdist vibe with grunge icing championed by Mad Cat Theatre Company.

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Can It Happen Here? Mad Cat’s Surreal Take on Vaclav Havel Plays Will Unnerve Patrons

Mad Cat Theatre’s production of Vaclav Havel’s one acts Protest and Audience draw uncomfortably relevant visions of repressive totalitarian society.

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Why Not? With Nixon: A Navel-Gazing Comedy Best Suited For Mad Cat’s Cult Faithful

Why Not? With Richard Nixon is perhaps Mad Cat Theatre Company’s most Mad Catty show ever, a production for company insiders that is esoteric enough to reference another Mad Cat show in its text. If you feel invited to this self-contained world, you’ll have a blast; if not, you may feel you’re observing a bubble you can’t enter, looking at your watch and waiting for it to pop.

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Theo Reyna’s Lazy Fair Provides Offbeat Riff On Money & Greed

In Mad Cat Theatre Company’s world premiere of Lazy Fair, Theo Reyna’s drily funny treatise on greed, Money – or actually The Spirit of Money – droll deadpan humor suffuses this spoofy hoot.

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Mad Cat’s Deconstructed Spin On Simon’s Star Spangled Girl Is Off-Beat Mash-Up, Natch

Mad Cat Theatre’s daffy deconstruction of a 1966 Neil Simon The Star Spangled Girl elicited plenty of laughs, but the schizophrenic clashing of styles didn’t land as strongly as anyone hoped

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Mad Cat’s Centralia Is A Hoot And A Holler About A Hollar

When Mad Cat Theatre Company finds the right groove with the right piece as it has here with Centralia, even hidebound traditionalists need to recalibrate their definitions and expectations of “theater.” It’s clothed in the premise of small town residents putting on a show to raise funds for their town, which was decimated by an environmental disaster.

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City Theatre’s Summer Shorts Kicks It Up A Notch Once Again

Efforts by City Theatre staffers to improve the consistency of its offerings has paid off: This edition of Summer Shorts is not only lushly and imaginatively produced with a noticeable extra bit of polish, but is more consistently funny and entertaining than any edition in recent memory.

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Mad Cat’s Well-Named Mixtape Is Quirky, Passionate, Puzzling And Did We Forget Funny?

Mixtapes are by definition quirky, passionate, uninhibitedly self-expressive to the edge of self-indulgence, sometimes puzzling, sometimes touching, sometimes hilarious. Mad Cat Theatre Company’s theatrical/cinematic Mixtape 2 is all that — a compilation of playlets, snatches of poetry, music videos and short films by the region’s leading progressive, avant-garde theater.

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Thinking Cap’s The Rover Is Ambitious, Smart & Delightful

There’s more to Thinking Cap Theatre’s inventive The Rover than staging a 300-year-old play with oomph enough to keep a 21st century audience interested. What director Nicole Stodard (who is also the artistic director of Thinking Cap Theatre) has done is to craft an inventive, ambitious and quite delicious offering of England’s first professional female playwright’s navel gazing study of the dating games people play. And watching Stodard’s adaptation of Aphra Behn’s The Rover proves that the battle of the sexes hasn’t changed much since 1677.

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