Tag Archives: Manny Schvartzman
Slow Burn Theatre Company has once again tackled a difficult show in Chess that few if any Florida companies would attempt. And once again, it has come out the victor, at least as victorious as any production can be of this work that divides audiences.
Even if Slow Burn’s moving production of the dark and dangerous musical Parade wasn’t the success that it indeed is, the troupe would deserve honor for the fearlessness in choosing a pre-ordained tragedy about anti-Semitism that mixes soaring melodies with discomforting dissonance. But this company has again delivered an enviable piece of theater that challenges the audience as well as its artists.
Critics are congenitally awash in self-doubt when they adore something. But to heck with it. Slow Burn Theatre Company’s profoundly moving production of the musical next to normal is about as good as it gets in South Florida theater.
fSlow Burn Theatre Company’s daffy production of the summer trifle The Wedding Singer feels like a sweet, sloppy kiss from a scruffy dog that could really use a trip to the groomer, but who’s lovable all the same. What this silly smile of a show undeniably lacks in polish and consistency, its cast makes up for with grinning enthusiasm and goofball abandon
So much is right about Slow Burn Theatre Company’s scaling of that Everest of musical theater, Sweeney Todd, that there’s no shame to acknowledge that it’s a competent not a transporting production.
It’s been a long, long time since a locally-produced musical has thrust inside an audience’s collective chest to touch its heart like Actors’ Playhouse’s triumphant production of In The Heights. Several shows this season have produced near raves among critics and audiences, but this production is cause once again for recalibrating your standards.
There is more passion pouring off the stage in Slow Burn Theatre Company’s thrilling Side Show than in ten other musicals we’ve seen in the past year put together. That may result in one too many deafening power ballad after power ballad for some tastes and eardrums, but for those wanting to be touched by a poignant, but very dark tale skillfully delivered, Side Show is a powerful example of what the modern musical can be.
Life isn’t fair. That’s one of the bittersweet themes in Slow Burn Theatre Company’s Avenue Q. But what’s really unfair is that there’s only five performances left and unless you hustle this weekend or next, you might miss it. Once again, the little theater with a below-modest budget and full-scale ambitions has simply nailed another production, this time delivering a raunchy, irreverent and joyous opener to their fourth season in way west Boca Raton.
The world premiere musical comedy Real Men Sing Show Tunes…and play with puppets lazing through the summer at Actors’ Playhouse reveals men’s deepest darkest secrets, namely life-long confusion, anxiety and fear. T
A goofball sensibility drenches Slow Burn Theatre Company’s first summer froth-fest, the loopy lampoon of the flop movie musical Xanadu. To be truthful, the company was far funnier, crisper and engaging in Urinetown, but it would take a congenital curmudgeon not to acknowledge that the troupe’s enthusiasm is incurably infectious and winning.