Tag Archives: David Kwiat

Dracula’s Prey At Zoetic: No Helpless Fainting Victims Here

In Zoetic Stage’s premiere Dracula, the vampire is a sexist pig (as are several men in the play). The protagonists are strong-willed proto-feminists. Together, they embody a society struggling with re-envisioning what self-empowered women can and should be. Michael McKeever’s script as directed by Stuart Meltzer presents social commentary told with droll, wry and self-aware humor, and the retelling of the classic horror narrative.

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Upsetting Resonances Make Cabaret Worth A Return Visit

Area Stage Company’s Cabaret underscores how this warhorse musical still serves, not as a cautionary tale, but as a flat out warning to our current socio-political climate: The production’s fresh vision forces even veteran audiences to appreciate the aforementioned themes with renewed discomfiture.

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GableStage’s If I Forget: Powerful Tale of Family Strife Over Cultural History

Raging family dysfunction played against an equally volatile backdrop of social upheaval makes for two seemingly separate but brilliantly acted and directed plays united in GableStage’s production of If I Forget — the emotional equivalent of a skiff tossed about in a raging tempest in the middle of a wintry ocean.

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A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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Whatever It Means, Zoetic Stage Delivers Bravura Edition Of Harold Pinter’s The Caretaker

Zoetic Stage’s brilliantly-executed bravura production of Harold Pinter’s 1960 The Caretaker may be as baffling as Waiting For Godot. But every element of this comic drama is superb from acting that embraces Pinter’s notorious silences to the fluid staging to the evocative set design to the transcendent lighting.

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With ‘Stalking the Bogeyman,’ GableStage Explores Taboo Subject With Unadorned Gravity

GableStage’s Stalking the Bogeyman, a true life tale of sexual abuse and revenge, stands out for its intelligence, bravery, sobriety and sheer darkness Buoyed by the raw sting of truth that great nonfiction provides, Bogeyman is more than a play. It’s a public service.

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Sondheim’s Swelling Passion Explores Nature Of True Love

To say that Sondheim’s Passion is not to every intelligent patron’s taste is an understatement. But if you can open yourself up to it, Zoetic Stage’s production is a transcendent work of performance art with the power to rip into your psyche and reaffirm the transformative power of love.

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Dashed American Dream at the Center of Zoetic Stage’s Marvelously Rich “Detroit”

Detroit, Lisa D’Amour’s finalist for the Pulitzer Prize, is a thought-provoking piece of theater. The Zoetic Stage production finds its own complex groove in Detroit to present a must see in Miami.

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Memory Is the Real Villain In Zoetic’s The Great God Pan

The unreliability of memory — and the resulting doubt and guilt — swirl through Zoetic Stage’s finely crafted production of The Great God Pan.

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GableStage’s Ruined Is Powerful Tale of Atrocities and Suvival

GableStage’s powerful Ruined examines our species’ simultaneous capacity for a bottomless cruelty absent in animals and an inextinguishable humanity that borders on divinity. This engrossing rendition of Lynn Nottage’s play about people struggling to survive the hellish civil war in the Democratic Republic of the Congo also has a duality. It is one of the finest pieces of local theater seen this season, featuring superb acting, notably from Lela Elam as an indomitable owner of a bar/brothel.

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