Reviews
Demos-Brown / Zoetic Stage’s Shattering ‘Stripped’ Is Incisive Thought-Provoking Evening
In Christopher Demos-Brown’s shattering world premiere Stripped at Zoetic Stage, the audience is faced with a complex child custody case is forced to judge past the surface facets of a case in which it will be impossible to “do no harm.”
Passable Dial M For Murder Doesn’t Quite Ring Any Bells
The classic 1952 crime play Dial M For Murder is a brilliantly-designed timepiece of plotting and dramatic construction. Unfortunately, Broward Stage Door’s barely serviceable production of this supposed thriller lacks much sizzle or suspense.
Sex With Strangers: Art Isn’t Easy In The 21st Century
What does a man profiteth if he gains technology and loses his artistic soul? And can romance survive ambition when the two collide? Those issues, along with scores of corollaries, swirl through the entertaining thought-provoking Sex With Strangers, accurately subtitled “a romantic comedy for the digital age” kicking off Theatre at Arts Garage’s second incarnation.
Swinging On A Star Indeed Swings At Riverside Theatre
VERO BEACH — Good songs tell compelling stories. And after seeing Riverside Theatre’s stylish, smart and vivacious production of Swinging on a Star, you’ll think no one did it better than Johnny Burke.
Cappies’ Student Reviews Of Florida High School Shows Posted Here For Second Year
Publishing student reviews of high school theater is the cornerstone of a service from Florida Theater On Stage and the South Florida Critics and Awards Program, better known as The Cappies.
Slow Burn Lands Really Big Fish In Bow At The Broward Center
With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.
Evening Star’s Song Cycle 35MM Propelled By Urban Angst
35MM and this production require some effort from the audience to meet it more than halfway. It is, as they say, not for everyone’s taste. But it does represent an intriguing example of the current effort by young theater artists to find new ways to create their own brand of musical theater that speaks to them. In that, Evening Star’s 35MM is worth checking out.

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