Tag Archives: Adrienne Arsht Center

Zoetic & McKeever’s Moscow Is Rich Comedy With a Heavy Load

Michael McKeever’s Moscow’s in its world premiere by Zoetic Stage in the Adrienne Arsht Center’s intimate Carnival Studio Theater is rich in so many ways with deep characters, dialogue that is quick and witty, and, for this production, a cast that couldn’t give more of its all. The only downside is that the mule in this Moscow is saddled with way too many burdens.

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Broadway Across Miami: Priscilla, Memphis, Poppins, Les Miz, Fela, Stomp & Rock of Ages

There’s a distinctly younger, even hipper bent to the offerings for the Broadway Across America 2012-2013 season announced for the Adrienne Arsht Center — plus some old, old reliables. The line-up of only musicals on national tours encompasses Priscilla Queen of the Desert, Memphis, Rock of Ages, Mary Poppins and the 25th anniversary production of Les Miserables for the regular subscription plus added-cost extras of Fela! and Stomp.

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Tharp’s Come Fly Away Isn’t Theater But It’s Entertaining

Twyla Tharp’s surrogates in Come Fly Away effortlessly swirl and slide across the stage like you think you do in your dreams – and to sound of Sinatra yet, crooning “The Way You Look Tonight.” This 75-minute dance recital – it arguably doesn’t qualify as musical theater because there is not a shred of overarching plot – is an undeniably enchanting evening playing at the Kravis Center for the Performing Arts in West Palm Beach this week and moving to Arsht Center in Miami next week.

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Miami Made Features Off-Beat Works By Mad Cat, The Project Theatre and Mark Della Ventura

Mad Cat Theatre Company’s Paul Tei, Alliance Theatre Lab’s Mark Della Ventura and The Project [theatre], all known for their edgy approach and Gen X/Y/Z-oriented material, are featured in free offerings this weekend at the crockpot of regional performance arts festival, Miami Made.

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News Roundup: PPTOPA, Caldwell, Actors Playhouse, Mosaic, Maltz, Raul Esparza, Florida Follies, NSAL, Arsht, Kravis &Top Gun The Musical

‘Tis the Season Pembroke Pines Theater of the Performing Arts has roughed out its 2012-2013 season, although exact dates are still being finalized. The company will present the musical Annie around September-October, West Side Story (the recent version with some …

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NE 2nd Avenue Is Funny And Insightful Look Inside Multi-Cultural Miami

Teo Castellanos’ NE 2nd Avenue at the Arsht Center, funny and profound literally at the same time, is a sociological-anthropological field trip as if Castellanos was a hip-hop Margaret Mead. It takes us on a tour of the adjacent neighborhoods on the titular boulevard highlighted by encounters with a variety of inhabitants.

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Don’t Bother Knocking, This House Is Rocking

If Boomers wondered why their parents feared rock ’n’ roll, Million Dollar Quartet provides a visceral object lesson of the exhilarating danger, galvanizing defiance and the electrifying sexuality of rhythm and blues. No record, no film, nothing captures the insolent immediacy of the gauntlet that rock threw in the face of the Eisenhower Era so well as some of the live performances in this road show at the Arsht Center.

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StageBill Blog: Looking Back At The Year of the Sea Change

In real life, we rarely have the clarity of identifiable watersheds as heroes discover in dramas. But five years from now, you’ll likely look back on the past 12 months and recognize not a turning point, but an unmistakable moment within a slow sea change in South Florida theater.

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Zoetic’s The SantaLand Diaries Is Witty Satire, But Not For Kids

The SantaLand Diaries is a holiday tale – not a warm inspiring morality fable for Christmas, but a harrowing if hilarious horror story for Halloween.

In Zoetic Stage’s production, the satirical monologue of a would-be actor slaving as an elf in Macy’s SantaLand is a wry, acerbic riff on the desensitizing corporate commercialization not just of the holiday, but of genuine sentiment as well.

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Musical Shrek Is Silly Fun But Not As Satisfying As The Film

Don’t go looking for the sassy charming movie Shrek in its musical incarnation now appearing in the Broadway Across Miami tour at the Arsht Center for one week only.

Streaks of imagination and wit surface frequently, but this generally unengaging mediocrity misses the effortless irreverence in Dreamworks’ animated romance between a large green ogre and a beautiful princess.

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