Tag Archives: Andy Rogow

ON THE WHEELS OF A DREAM: PART THREE

On The Wheels of a Dream: Part Three:  Actually putting bodies on the stage may be the most formidable issue. Starting just with pure numbers, interviewees disagreed whether there are plenty of actors, or a dearth of actors, or a shortfall in talented actors, or a shortage of experienced actors. And each might be correct within limits.

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ON THE WHEELS OF A DREAM: PART TWO

On the Wheels of a Dream: Part Two: The future of theater over the next three seasons will continue to be the result of the fragile juggling of balancing artistic vision and balance sheets,But part of the troubled aspect of the “artistic” equation is operating, administrative and production costs have risen steadily in recent years,

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ON THE WHEELS OF A DREAM: PART ONE

On the Wheels of a Dream: Part One of an in-depth three-part series about the future of Florida theater. As the curtain cautiously rises again this year in South Florida, profound questions are dogging about what the next three seasons will provide as local theaters grapple with rising costs, a mercurial talent pool, fluctuating funding and deciding how far to nudge the edge of the envelope.

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Ambition Never Looked So Good As In  Ruthless!

Island City Stage’s Ruthless! The Musical fires on all cylinders, literally everything clicking be it the cast, the direction, the design, the music, the choreography, or the costumes. This is theatrical excess in the best, and worst, way: is a perfectly choreographed train wreck, and that’s a compliment.

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For Better (But Not) Worse ‘At The Wedding’ on Island City

Anyone who has been invited to, and maybe even attended, the wedding of an ex-love knows how emotional and triggering the event might be. And therein is where the comedy lies in Island City Stage’s At The Wedding

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 Dying Gaul Explores Cost of Doing Battle at Island City Stage

Like the ancient Roman statue upon which it is named, the ending of The Dying Gaul recognizes a hard-earned victory while exploring the cost of doing battle. The production at Island City Stage will have you pondering it long after you leave the theater.

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Pompano Players’ I Do! I Do! Returns To Follow Highs and Lows of a Half-Century Marriage

 You are cordially invited to the wedding of Michael and Agnes at Pompano Players, just the beginning of the classic two-character musical I Do! I Do!, that tracks fifty years of the highs and lows of a typical marriage.

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Die Mommie, Die! Over-the-Top Hilarity on Island City Stage

When is the last time you went to the theater and enjoyed two hours of pure unadulterated fun and sheer frivolity? Die Mommie, Die! is that rare breed of entertainment that exists just for the camp of it. Trust us when we say there’s no message here. And that’s just the way it should be in Island City Stage’s production.

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Capote Returns To Life As Unique &Complex As Ever In Tru

Tru, the play bringing the audience into Truman Capote’s living room for a chatty wit-lathered visit at a crucial moment in his life, entertains as Charles Baran evokes the engaging persona of the writer but does not tries to mimic his unique voice or other externals. But he succeeds in creating this outsized creature alternately, compassionate, cruel, haunted, indestructible and a dozen attributes.

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No Mystery Here: Irma Vep is a Madcap Hoot at Island City

Andy Rogow is the director of Island City Stage’s The Mystery of Irma Vep, but were he a less humble man, he might also take the title of chief illusionist or conjurer. For the production is nothing if not a magic show, a self-aware cornucopia of tricks from a creakier, more analog time of stage wizardry.

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