Tag Archives: Arsht Center

Winter Shorts: Welcome Holiday Warmth Against The Chill

Over 21 years, City Theatre’s ever-expanding enterprises have developed and maintained a brand-level reputation for entertaining theater; its return to cool weather programming with the current edition of Winter Shorts is just as diverting.

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Curtain Up On The 2017-2018 South Florida Theater Season

If you know where to look, certainly you can find reliable warhorse titles in the upcoming theater season in South Florida, but it’s easier to find vibrant, contemporary and challenging offerings.

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Musicals Make A Mark In This Year’s Round Of Summer Shorts

City Theatre’s Summer Shorts, which only recently began showcasing musicals, includes three this year including one by Lin-Manuel Miranda.

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Lush, Lovely And Topical ‘The King And I’ Swirls Into The Arsht

Damaged by yet another homogenized film version of Rodgers & Hammerstein’s work, few think of The King and I as a piece deeply focused on incipient feminism, international politics and the challenge of leadership. But the national tour at the Arsht Center of the Lincoln Center revival underscores how prescient this was when it was written in 1951.

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Houdini Defies Death One More Time In Return To The Arsht

(The following is an updated review from 2012  plus a feature story written about this same production’s original visit to the Arsht four years ago. Most of the cast is the same, but several magical effects have been tweaked or …

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Whatever It Means, Zoetic Stage Delivers Bravura Edition Of Harold Pinter’s The Caretaker

Zoetic Stage’s brilliantly-executed bravura production of Harold Pinter’s 1960 The Caretaker may be as baffling as Waiting For Godot. But every element of this comic drama is superb from acting that embraces Pinter’s notorious silences to the fluid staging to the evocative set design to the transcendent lighting.

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FGO’s Solid If Stolid Romantic Tragedy Eugene Onegin

This may be heresy, but maybe grand opera shouldn’t always be so grand. Florida Grand Opera’s current production of Tchaikovsky’s romantic tragedy Eugene Onegin reportedly has a more intimate feel than many predecessors. But that only points the way to an idea that might make this classic even more affecting.

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Looking Back At South Florida Theater’s 2015: Taking Chances Financially And Artistically

2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.

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DreamCatcher’s Uneven Into The Woods Thrills And Disappoints

This Into The Woods by DreamCatcher Theatre and Theater Up Close is so heartbreakingly uneven that it may bring Sondheim lovers close to tears. Long stretches are so skillfully and lovingly executed that you want to cheer. Others fail to conquer this difficult work. But the misstep is the high-profile casting of Tituss Burgess in the linchpin role of the Witch.

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The Best Of Times Is Now: Memorable Moments Of 2014

Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.

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