Tag Archives: George Schiavone
The actual stage at GableStage may be dark, but the company has replaced the rest of its virus-interrupted 2019-2020 season with a glimpse of what may be one of the evolving facets of the future of theater. It has commissioned 12 area artists to produce nine online projects that meld traditional theater with digital storytelling.
Raging family dysfunction played against an equally volatile backdrop of social upheaval makes for two seemingly separate but brilliantly acted and directed plays united in GableStage’s production of If I Forget — the emotional equivalent of a skiff tossed about in a raging tempest in the middle of a wintry ocean.
We’ve written a paragraph like this only two or three times: Stop what you are doing. Stop reading this review. Go to the phone or online and order tickets right now for Ground Up & Rising’s superb production of Stephen Adly Gurgis’ Our Lady of 121st Street.
Actors’ Playhouse pulls out all the stops to mount its annual winter centerpiece production. Director David Arisco molded a troupe of actor-singer-dancers who deliver a vibrant evening remarkable for its prolonged sections of power and verve.
For years, George Schiavone has been documenting life back stage. Since the beginning of rehearsals of Actors’ Playhouse’s Ragtime, he has been shooting photos of the rehearsal and production process. His shots document the sweat, concentration and even boredom required of theatrical artists.
As far as large-scale Broadway musicals, Ragtime stands as Actors’ finest mainstream work ever, as accessible and satisfying as it is passionate and thoughtful. Anyone who cares about musical theater, or theater in general, should make a special effort to see this production.
Mixtapes are by definition quirky, passionate, uninhibitedly self-expressive to the edge of self-indulgence, sometimes puzzling, sometimes touching, sometimes hilarious. Mad Cat Theatre Company’s theatrical/cinematic Mixtape 2 is all that — a compilation of playlets, snatches of poetry, music videos and short films by the region’s leading progressive, avant-garde theater.
GableStage’s Sons of the Prophet is a comedy about suffering. It’s a serio-comedy, to be sure, a wry compassionate look at the inescapable downside of being human. But humor drawn from the awkward collision of quirky characters suffuses Stephen Karam’s Pulitzer-nominated script, even though every major character is in emotional and even physical pain.