Performances

Sensory-Rich, Physicalized Production of Mlima’s Tale

Zoetic Stage’s Mlima’s Tale is a theatrically-lush indictment of illegal ivory trafficking and shared responsibility for the slaughter of animals, not so much for the artistic trinkets that result, but for human greed. Imagine a Discovery Channel documentary dramatically told as a fever dream awash in lights, sound, music and movement.

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Slow Burn and Seymour Feed Audrey II One More Time

Don’t feed the plants! Once again, nebbishy Seymour just won’t listen, so we get another evening of wackiness in Slow Burn Theatre’s edition of Little Shop of Horrors.

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Oscar Wilde Rises Again In Thinking Cap’s Celebration

A love of language and a love of theatricality meld in Thinking Cap Theatre’s ingeniously staged re-interpretation of The Importance of Being Oscar, a celebration of Oscar Wilde. The trio of actors, director and creative team embraces and elevates Wilde’s words of wit and wisdom as if playing glorious music.

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Generation Clash Helps Fuel 4000 Miles at Dramaworks

Sometimes, the worthwhile reason to see Palm Beach Dramaworks’ mounting of 4000 Miles, the satisfying treat is watching the vibrating depiction by up-and-comer Gabriell Salgado of a deeply troubled young man and the brilliant portrait by Patricia Conolly of a 91-year-old grandmother staying vital and engaged while struggling with the debilitating effects of old age.

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Six Gets The Royal Treatment

The energetic, sexy Six definitely delivers the royal treatment—a lively score, strong singing and a can’t miss story. And the opening night audience at the Broward Center were more than ready—cheering and clapping the minute the curtain was raised as if Six was a rock concert. And in a way it is.

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The Opponent Is In Ourselves at African Heritage Cultural Center

One of the great truisms of human nature is that often our greatest opponent is ourselves. So while the drama The Opponent is set in a boxing ring where an young fighter and his trainer spar physically and verbally, it’s their own flaws that provide adversaries that they cannot best.

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In Fine Performance, Misery’s Annie Wilkes May Seem More Familiar Today Than You Recall

An unintended resonance echoes in Empire Stage’s production of Misery that Stephen King likely did not quite foresee. In a world where some people steadfastly, even violently believe whatever they want to believe, somewhere Annie Wilkes is shrugging and asking “What’s your point?”

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Main Street Players’ Topdog/Underdog Is Slow Motion Shattering Drama

Main Street Players’ version of Suzan-Lori Parks’ Topdog/Underdog rewards the patient patron is watching a slow-motion shattering of two brothers struggling with institutionalized racism, poverty, sibling rivalry, and troubled pasts stretching from childhood to last week.

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Theatre Lab’s ‘Red Riding Hood’ Entertains More than Just Kids

So Allison Gregory’s Red Riding Hood is a delightful hoot in which Theatre Lab has mounted a production meant to enrapture young theatergoers, but also liberally peppered with jokes, asides and other humor that only the adults will understand.

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Recreating A Family is Central to Larsen’s Dramedy “The Actors”

Savor an unqualified success with playwright-actor Ronnie Larsen’s The Actors. Copious laughs dominate a seemingly silly sit-com situation, but they recede (though never disappear) as the human angst underneath keeps poking toward the surface until it becomes the reason for the evening.

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