Performances
Love Never Dies: This Phantom Sequel Is More Of A Soap Opera, But Webber’s Music Still Soars
Love Never Dies is a sequel if not the equal to Phantom of the Opera from Broadway Across America at the Broward Center, but Andrew Lloyd Webber’s attempt for lightning to strike twice, while inherently flawed, is undeniably a lush, gloriously passionate and entertaining exercise that is exactly what it wants to be.
‘Evita’ Plays To The Masses With Thoughtful Complexity
David Arisco has directed Evita for Actors’ Playhouse three times. So, what’s different this go ’round? Well, to hear him tell it, the Andrew Lloyd Webber-Tim Rice musical, written four decades ago about a celebrity turned power hungry politico in mid 1940s Argentina is even more relevant than ever.
Maltz’s Born Yesterday Is A Progressive Take On A Classic Didactic 1940s Comedy
Maltz Jupiter Theatre’s season-opening rendition of Born Yesterday can’t pave over the script’s glaring weaknesses, but it amplifies the source material’s progressive strengths. Director Peter Flynn has mounted a handsome and drum-tight production anchored by a pair of note-perfect leads.
Hank Williams’ Bio Musical Lonesome Highway Is Engaging
From its upbeat tunes to soulful longings, Hank Williams: Lost Highway takes Riverside Theatre audiences on a revealing musical story about one of America’s most important country singers.
Multi-Cultural Our Town Underscores Its Universality
Amazingly, in 2017 with its video games, alt right-antifa strife and uber-sophistication, Our Town is still our town. And no more so than in Miami New Drama’s inventive and often touching production that underscores the values of community in a time when our country seems as divided as it has ever been.
Stage Door’s Tickling The Ivories Turns Revue On Tuneful Ear
Right off the bat, Broward Stage Door’s Tickling the Ivories shows the artistry of the piano wizards and of the inventiveness of a show that turns the typical musical revue theme on its ear.
Slow Burn’s Immersive Tarzan Is High-Flying Welcome To Jungle
Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.
Wick’s Drowsy Chaperone Is A Sterling Send-up of Classic Bway
The Wick Theatre’s marvelous and contemplative rendition pulls off The Drowsy Chaperone with boundless charm and effortless sophistication. The Wick has enjoyed its share of highlights over the past five years, but this Drowsy Chaperone might just exceed its 42nd Street and Oklahoma! as the young company’s pinnacle.
Lizzie: The Musical A Sharp Production At Thinking Cap
Lizzie: The Musical, is making its highly entertaining South Florida debut at Thinking Cap Theatre at The Vanguard. Part of that is due to the snappy lyrics. But mostly it’s because of the first-rate cast, and the sharp direction.
A PaperStreet Web Design
