Tag Archives: Jim Gibbons

Evening Star’s Murdered To Death Is Supremely Silly Fun

In Evening Star’s Murdered To Death, this comic murder mystery satire becomes so supremely silly with slapstick, overheated melodrama and an endless supply of verbal blunders that the actors have little recourse but to succumb to the infectious laughter from the audience.

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Outre’s The Violet Hour Is A Daring, Flawed Modern Medea

Sometimes the daring efforts of Outré Theatre Company work beautifully such as Back of the Throat, An Illiad and Thrill Me, sometimes not so well such as Bed and Sofa, and Othello. Often, it’s both as with the current world premiere of The Violet Hour, A Modern Medea.

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Thinking Cap’s Wilde Ride Takes ‘Earnest’ To A 1978 Disco Ball

Thinking Cap Theatre sets The Importance of Being Earnest in a madcap lampoon of New York City’s disco era. The urbane and farcical elements are irreconcilably at war, but each facet – one of the funniest literate scripts ever written and a zany hoot of a production – is so strong on its own merits that the result is a mostly satisfying gigglefest worth the investment.

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Pigs Do Fly Gains A Bit More Altitude With New “Flying High!”

The writing seems a little sharper, the direction more incisive and the acting a bit more credible at Pigs Do Fly Productions’ new Flying High. Some of the playlets still are a bit lamer than others and some still limp along a bit, but there’s a noticeable uptick in the quality of this evening meant to provide a quiet, gentle smile.

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Uneven But Unsettling “Bug:” This Is How The World Ends — With A Bang And A Whimper

Evening Star and Infinite Abyss co-produce Tracy Letts’ surreal depiction of spiraling paranoia complete with copious amount of blood in an edition that slogs too slowly too long but ratchets up into an emotional and psychological fireball of horror.

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Minor Quibbles Aside, Success Still In The Cards For Gin Game

More so than the play’s sudden violence or its firecracker bursts of profanity, it’s The Gin Game’s references to nursing homes as God’s waiting rooms that stick with you in Evening Star’s production.

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Outre’s Nightmarish ‘Back Of The Throat’ Exposes How Post 9/11 Paranoia Allows Abuses

The temptation is to describe the nightmarish Back of the Throat as Kafkaesque as Outré Theatre Company depicts an America gone mad. But it’s not. That’s the real horror. The extremities unfolding before the audience are a logical if artistically exaggerated extrapolation of the paranoia and xenophobia unleashed against Arab-Americans after 9/11. It’s naturalism not surrealism.

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Laura Ruchala & Evening Star: Tragedy Tomorrow, Rollicking Comedy Of Errors Tonight

Despite the death of director Laura Ruchala, Evening Star Productions’ The Comedy of Errors is a rollicking ebullient edition of Shakespeare’s farce of mistaken identities. Ruchala’s playful play-filled vision embraces every stripe of daft and deft comedy from Will’s word play to slapstick.

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Outré’s Mr. Marmalade Is An Acquired Taste, Perfect for Savvy Theatergoers

Outré Theater Company goes out on a limb for Mr. Marmalade and for savvy audience members who want to be challenged, it couldn’t be more smartly satisfying.

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Art Transforms Lives In Thinking Cap Theatre’s Haunting The Drawer Boy

The bonds of friendship and the power of art to transform lives are illustrated in The Drawer Boy by Michael Healey, now receiving a lovely production at Thinking Cap Theatre in Fort Lauderdale.

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