Performances
Imagination Makes Area Stage’s Wizard Of Oz For Adults & Kids
Hearing that Area Stage Company is mounting The Wizard of Oz might make childless theatergoers pass. It would be their loss. Director Giancarlo Rodaz, his inexhaustible cast and creative crew have constructed a charming, witty and entertaining riff whose sterling quality is how they resourcefully solve staging problems that otherwise would require a far bigger budget.
Obsession, Lust And Passion Rule At Measure’s Murder Ballad
Lust, anger and anguish pour out of urban millennials with like molten liquid gushing from an open fire hydrant in the new Measure For Measure Theatre’s production of the chamber rock opera Murder Ballad at the Broward Center
M Ensemble’s Old Settler Starts With Laughs, Ends With Tears
The Old Settler at M Ensemble starts off like a TV sitcom featuring witty banter between sisters living in 1943 Harlem. But slowly, characters start referencing race, sex, age, loneliness and family baggage until anger and tears produce a moving tale that qualifies as more than a soap opera and falls a bit short of August Wilson territory.
Hundred Days: Grief As Part Of Life –With Music & A Few Laughs
It may often feel like a concert, but Hundred Days at the Arsht Center’s Theater Up Close series is a moving, heartening and deceptively polished theater piece with song and story hewing to a single narrative line and theme about coming to terms with tragedy being part of life.
Amparo Immersion Theater Is More Effective Than you Expect
The experience of losing everything to the Cuban revolution, the visceral experience of being oppressed, the experience of leaving your beloved country, those are the hallmarks of the surprisingly effective immersive drama Amparo.
Love Is A Battlefield In Casey Dressler’s The Wedding Warrior
Casey Dressler brings her one-woman comedy with a score of characters, The Wedding Warrior, back to Fort Lauderdale’s The Vanguard, redirected by Elena Maria Garcia
Dramaworks’ Fences Rages Against The Dying Of The Light
In Palm Beach Dramaworks’ triumphant production of August Wilson’s Fences, this Troy Maxson rages. Whether this physical kinetic Troy is delivering a defiant challenge to death, railing at the racial prejudice that has undercut his dreams, or privately excoriating his own guilt for making destructive choices — this Troy unleashes a lifetime of festering wrath in a basement barrel baritone.
Theatre Lab’s Quiet Muted ‘Harlowe:’ Healing And Feeling
Theatre Lab’s world premiere of Jennifer Lane’s Harlowe is indeed quiet, muted, dense. The titular heroine, who is coping with the emotional and literal scars from some horrific attack, can no longer feel anything, psychologically or physically. The writing, the direction and the acting all are commendable, but it’s a quirky sui generis piece that is hard to plug into emotionally.
Ghost-Writer Explores The Art Of Writing And Social Restrictions On Creative Women
Riverside Theatre turns down the volume and ratchets up the intellect in its production of Ghost-Writer, performing now on the Waxlax Stage.
An Electrifying New Riff On West Side Story At The Maltz
The electrifying choreography by Al Blackstone and the vibrant staging by Marcos Santana in the Maltz Jupiter Theatre’s West Side Story not only wipe away any disappointment at not seeing Jerome Robbins’ vision, their work is so strong and original that Robbins rarely invades the audience’s consciousness.
A PaperStreet Web Design
