It’s not that it’s impossible to mess up the musical Annie, but when you have a reliable troupe of talented hands like those connected to the current Wick Theatre production, you are guaranteed an entertaining evening.
Posted in Performances, Reviews
Tagged Aaron Bower, Annie, Barry Tarallo, Eric Alsford, George Dvorsky, Mia Matthews, Norb Joerder, Peyton Ella, Sally Struthers, The Wick Theatre, Tony Edgerton
White Guy on the Bus at GableStage is a merciless dissection of race relations in the 21st Century, but stunning plot twists prevent us from explaining much further than a wealthy white businessman strikes up an acquaintanceship with an African-American nursing student on a bus. But superb performances and a fierce script make this a don’t miss.
Posted in Performances, Reviews
Tagged Bruce Graham, GableStage, Mia Matthews, Michael Leeds, Rita Joe, Ryan Didato, south florida, theater, theatre, Tom Wahl, White Guy on the Bus, Whitney Grace
Theatre Lab’s production of Lauren Gunderson’s The Revolutionists resembles a blindingly scintillating gem-like puzzle with an infinite number of moving parts that twist in on itself over and over endlessly.
Everything about the Maltz Jupiter Theatre’s Hairspray has volume, and then some . . . from the bubblegum-bright lighting design to overdrawn characters that, while definitely animated, never come off as cartoonish, to the Maltz’s always super snappy choreography that’s as perfectly coiffed as a beehive hairdo plastered with Aqua Net
In this uncertain world, the ever-changing standards of what life is or even should be make it nearly impossible to chart a path forward when we have less idea what might be ahead than Columbus. That may be one of the takeaways – there are likely a half-dozen more — from the nightmarishly dark but hilarious 2014 comedy Hir bowing at Island City Stage.
Michael McKeever, a beloved and prolific figure in local theater, set a record Monday when he won his eighth Best New Work at Monday’s Carbonell Awards for the scorching drama After, but he was unable to accept the honor personally because he was in New York City the night before the opening of his play Daniel’s Husband, which won the same prize last year.
Posted in News
Tagged After, Aygemang Clay, Carbonell Awards, Florida Children's Theatre, GableStage, Jeni Hacker, Jerry Cohen, Jodi Dellaventura, Joseph Adler, Judith Mitchell, Leah Sessa, Maltz Jupiter Theatre, Matt Loehr, Me and My Girl, Mia Matthews, Michael McKeever, Peter A. Lovello, Stuart Meltzer, Zoetic Stage
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Posted in Features
Tagged 1776, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, Actors Playhouse, After, Alex Alvarez, An Act of God, Andre' L Gainey, Anna Lise Jensen, Area Stage Co., Arts Garage, Arturo Rossi, Avery Sommers, Aygemang Clay, Barbara Bradshaw, Ben Bagby. The Normal Heart, Bert Rodriguez, Bessie Smith: The Devils’ Music, Betsy Graver, Broward Stage Door, Buyer & Cellar, Caryl Fantel, Charlie Cinnamon, Chris Crawford, Clay Cartland, Conor Walton, Dan Knechtges, David Arisco, David Nagy, Deana Butler-Rahming Ja’Nia Harden, Deborah Zoe Laufer, Elizabeth Dimon, Evening Star Productions, Feeding The Bear, Florida Grand Opera, GableStage, Genie Croft, Gregg Weiner, Gretchen Porro, Ground Up and Rising, Hand To God, Heathers, Helen Gregory, I Love A Piano, Island City Stage, James Brennan, Jeni Hacker, Jim Gibbons, Jodi Dellaventura, John Harden II, Joseph Adler, Julie Kleiner Davis, Karen Stephens, Keith Garsson, Kevin Black, Kristian Bikic, Larry Buzzeo, Laura Hodos, Lindsey Corey, Long Day's Journey Into Night, Louis Tyrrell, Lourelene Snedeker, Mad Cat Theatre Company, Maltz Jupiter Theatre, Marco Ramirez, Margery Lowe, Maria Elena Garcia, Mark Duncan, Matt Loehr, Matthew Korinko, Maureen Anderman, Me and My Girl, Mia Matthews, Michael Aman, Michael McKeever, Million Dollar Quartet, Mud, Murdered To Death, New Theatre, Nicholas Richberg, Nicole Stodard, Niki Fridh, Our Lady of 121st Street, outre theatre company, Palm Beach Dramaworks, Parallel Lives Chris Crawford, Passion, Patrick Fitzwater, Paul Tei, Perfect Arrangement, Peter Galman, Peter Lovello, Putting It Together, Rapture Blister Burn, Ricky J. Martinez, Ron Hutchins, Roof, Rudi Goblen, Sarah Gracel Anderson, Shein Mompremier, Simply Simone: The Music of Nina Simone, Skye Whitcomb, Slow Burn Theatre Company, Smoke, Sondheim On Sondheim, Spring Awakening, Stuart Meltzer, Teddy Harrell, The Flick, The Hunchback of Notre Dame, The Minister’s Wife, The Nether, The Passenger, The Realistic Joneses, The Royale, The Soul of Motor City, The Wick Theatre, The World Goes Round, Theatre At Arts Garage, Theatre Lab at Florida Atlantic University, Thinking Cap Theatre, This Random World, Three Sisters of Weekhauken, Toddra Brunson, Tom Wahl, Wesley Slade, West Side Story, William Hayes
There’s something thrilling about seeing a world premiere play unfold. And when the playwright is one of South Florida’s great hopes to get an original play to the Great White Way, there’s even more of excitement to see his latest work.
That was the energy that prevailed over the production of Michael McKeever’s After at Zoetic Stage.
Gina Gionfriddo’s Rapture, Blister, Burn is rooted in an wry examination of post-feminism. But Zoetic Stage’s finely wrought comedy-drama goes much farther and deeper in examining the complex interrelationship of dreams, choices, responsibilities and consequences applicable to human beings of all sexes.
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
Posted in Features
Tagged Actors Playhouse, Aida, Alexander Dinelaris, Alexandria Lugo, Ali MacGraw, Alliance Theatre Lab, Always... Patsy Cline, Ana Villafane, Andrea Burns, Andy Rogow, Andy Senor Jr., Ann Marie Olson, Anne Chamberlain, Antonio Amadeo, Arielle Jacobs, Arsht Center, Arts Garage, Avi Hoffman, Barbara Sloan, Barbie Lazaro, Beverly Blanchette, Bloody Bloody Andrew Jackson, Bruno Vida, Buried Child, Casey Dressler, Christian Vandepas, Christina Groom, Christine Dolen, Coconut Grove Playhouse, Collin Carmouze, Constellation, Darrick Penny, Ellie Patterson, Emilie Papp, Emmanuel Schvartzman, FAU's Theatre Lab, Fully Committed, Genie Croft, Giordan Diaz, Gypsy, Henry Gainza, Infinite Abyss, Island City Stage, J. Barry Lewis, Jen Chia, Jessica Brooke Sanford, Joanna Penny, John Manzelli, Joseph Adler, Kaitlyn O'Neill, Katherine Amadeo, Keith Garsson, Kunya Rowley, Laura Hodos, Lauren Bell, Lee Roy Reams, Levis Jewish Community Center, Lewis J. Stadlen, Lindsey Corey, Lindsey Johr, Lou Tyrrell, Love Letters, Maltz Jupiter Theatre, Marckenson Charles, Marilynn Wick, Mark Della Ventura, Marquee Theatre Company, Matthew Korinko, Melissa Minyard, Mia Matthews, Michael McKeever, Michiko Kitayama Skinner, Natalie Caruncho, New Theatre, Nick Duckart, Nick Santa Maria, Niki Fridh, Nilo Cruz, On Your Feet!, outre theatre company, Palm Beach Dramaworks, Palm Beaches Theatre, Patrick Fitzwater, Paul Louis, Paul Tei, Rick Pena, Rob Donohoe, Robert Johnston, Royal Poinciana Playhouse, Ryan Didato, Ryan O'Neal, Scott Shiller, Shane Tanner, Slow Burn Theatre Company, Small Membership, South Miami-Dade Cultural Arts Center, Stephanie Genovese, Stephanie White, Stephen G. Anthony, Tally Sessions, The 25th Annual Putnam County Spelling Bee, The Little Dog Laughed, The Wick Theatre, Thinking Cap Theatre, Vanguard Sanctuary for the Arts, Vincent River, Zoetic Stage