Tag Archives: Mia Matthews

Miami New Drama’s 7 Deadly Sins Is A Singular, Year-defining Theatrical Experience

It was only a matter of time until one of South Florida’s most experimental companies would find a way to produce theater outside of a theater. Nine months into a pandemic, the sheer existence of Miami New Drama’s experiential short-play collaboration 7 Deadly Sins feels as surreal as it is miraculous.

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Seven Deadly Sins Is Return To Live Theater In Miami

Nine months into the country’s battle against COVID-19, Miami New Drama and its boundlessly imaginative artistic director, Michel Hausmann, have figured out a way to turn vice into virtue, exploring the seven deadly sins in an ambitious return to live theater beginning Nov. 27.

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Wick’s Annie With Sally Struthers Reliably Entertaining

It’s not that it’s impossible to mess up the musical Annie, but when you have a reliable troupe of talented hands like those connected to the current Wick Theatre production, you are guaranteed an entertaining evening.

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‘White Guy on The Bus’ Is GableStage’s Shattering Incisive Dissection Of Race Relations

White Guy on the Bus at GableStage is a merciless dissection of race relations in the 21st Century, but stunning plot twists prevent us from explaining much further than a wealthy white businessman strikes up an acquaintanceship with an African-American nursing student on a bus. But superb performances and a fierce script make this a don’t miss.

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FAU Theatre Lab Reels Out Meta-Meta-Meta Revolutionists

Theatre Lab’s production of Lauren Gunderson’s The Revolutionists resembles a blindingly scintillating gem-like puzzle with an infinite number of moving parts that twist in on itself over and over endlessly.

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Get Swept Up In Hairspray At The Maltz Jupiter Theatre

Everything about the Maltz Jupiter Theatre’s Hairspray has volume, and then some . . . from the bubblegum-bright lighting design to overdrawn characters that, while definitely animated, never come off as cartoonish, to the Maltz’s always super snappy choreography that’s as perfectly coiffed as a beehive hairdo plastered with Aqua Net

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Island City’s Hir: How Do You Move Forward When You No Longer Know Where You Are

In this uncertain world, the ever-changing standards of what life is or even should be make it nearly impossible to chart a path forward when we have less idea what might be ahead than Columbus. That may be one of the takeaways – there are likely a half-dozen more — from the nightmarishly dark but hilarious 2014 comedy Hir bowing at Island City Stage.

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McKeever/Zoetic’s ‘After,’ GableStage’s ‘Royale’ Top Winners At 41st Carbonells

Michael McKeever, a beloved and prolific figure in local theater, set a record Monday when he won his eighth Best New Work at Monday’s Carbonell Awards for the scorching drama After, but he was unable to accept the honor personally because he was in New York City the night before the opening of his play Daniel’s Husband, which won the same prize last year.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Zoetic Stage Debuts Premiere of McKeever’s Emotion-Filled After

There’s something thrilling about seeing a world premiere play unfold. And when the playwright is one of South Florida’s great hopes to get an original play to the Great White Way, there’s even more of excitement to see his latest work.
That was the energy that prevailed over the production of Michael McKeever’s After at Zoetic Stage.

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