Tag Archives: Julie Kleiner
GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Just in time for the start of the holiday, the Wick Theatre delivers a shiny ornament in the form of the unabashedly romantic musical She Loves Me.
One pleasure watching a drag show regardless of your sexual orientation is the vicarious joy of seeing people uncorset their secreted urges and find the liberating self-worth to parade it publicly. That is the unspoken strength underlying the delightful hoot , The Legend of Georgia McBride at GableStage
The miracle of the Carousel when it’s done well, as it is in this Actors Playhouse production, is that although it’s 72 years old and its protagonists are a wife-beating ne’er-do-well and the woman who stubbornly loves him despite the domestic violence, the bloody thing works in the 21st Century.
Led by the talents of Matt Loehr, the Maltz Jupiter Theatre’s Me and My Girl is the precisely the antidote for the seasonal angst – a couple of hours of escapist entertainment. The cast is clearly having a hell of a good time and it’s almost guaranteed that you will too.
Curtains is a show designed for anyone who loves musical comedy, or anyone who has ever played Toto in a community theater production of The Wizard of Oz. Envisioned as a no-calories hoot of a love letter to the quirky dysfunctional denizens of the theater, it is accurately promoted with tongue firmly in cheek as “A New Backstage Murder Mystery Musical Comedy.”
Somewhere under the green slime encrusted set of The Toxic Avenger at Actors Playhouse, a nuclear plant must be melting down all China Syndrome like. That might explain the raw power emanating from this hilarious hoot of a rock musical.
Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.
Slow Burn Theatre Company’s The Marvelous Wonderettes at the Broward Center is a sweet and tasty cotton candy confection of girl group standards from 1950s and 1960s delivered by four terrific actress-comedienne-singers.