Quirky denizens of Stephen Adly Guirgis’ Between Riverside and Crazy strive to find second chances in GableStage’s production.
Posted in Performances, Reviews
Tagged Arturo Rossi, Between Riverside And Crazy, Beverly Blanchette, GableStage, Gladys Ramirez, Joseph Adler, Leo Finnie, Marckenson Charles, Michael Serratore, Sara Oliva, Stephen Adly Guirgis
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Posted in Features
Tagged 1776, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, Actors Playhouse, After, Alex Alvarez, An Act of God, Andre' L Gainey, Anna Lise Jensen, Area Stage Co., Arts Garage, Arturo Rossi, Avery Sommers, Aygemang Clay, Barbara Bradshaw, Ben Bagby. The Normal Heart, Bert Rodriguez, Bessie Smith: The Devils’ Music, Betsy Graver, Broward Stage Door, Buyer & Cellar, Caryl Fantel, Charlie Cinnamon, Chris Crawford, Clay Cartland, Conor Walton, Dan Knechtges, David Arisco, David Nagy, Deana Butler-Rahming Ja’Nia Harden, Deborah Zoe Laufer, Elizabeth Dimon, Evening Star Productions, Feeding The Bear, Florida Grand Opera, GableStage, Genie Croft, Gregg Weiner, Gretchen Porro, Ground Up and Rising, Hand To God, Heathers, Helen Gregory, I Love A Piano, Island City Stage, James Brennan, Jeni Hacker, Jim Gibbons, Jodi Dellaventura, John Harden II, Joseph Adler, Julie Kleiner Davis, Karen Stephens, Keith Garsson, Kevin Black, Kristian Bikic, Larry Buzzeo, Laura Hodos, Lindsey Corey, Long Day's Journey Into Night, Louis Tyrrell, Lourelene Snedeker, Mad Cat Theatre Company, Maltz Jupiter Theatre, Marco Ramirez, Margery Lowe, Maria Elena Garcia, Mark Duncan, Matt Loehr, Matthew Korinko, Maureen Anderman, Me and My Girl, Mia Matthews, Michael Aman, Michael McKeever, Million Dollar Quartet, Mud, Murdered To Death, New Theatre, Nicholas Richberg, Nicole Stodard, Niki Fridh, Our Lady of 121st Street, outre theatre company, Palm Beach Dramaworks, Parallel Lives Chris Crawford, Passion, Patrick Fitzwater, Paul Tei, Perfect Arrangement, Peter Galman, Peter Lovello, Putting It Together, Rapture Blister Burn, Ricky J. Martinez, Ron Hutchins, Roof, Rudi Goblen, Sarah Gracel Anderson, Shein Mompremier, Simply Simone: The Music of Nina Simone, Skye Whitcomb, Slow Burn Theatre Company, Smoke, Sondheim On Sondheim, Spring Awakening, Stuart Meltzer, Teddy Harrell, The Flick, The Hunchback of Notre Dame, The Minister’s Wife, The Nether, The Passenger, The Realistic Joneses, The Royale, The Soul of Motor City, The Wick Theatre, The World Goes Round, Theatre At Arts Garage, Theatre Lab at Florida Atlantic University, Thinking Cap Theatre, This Random World, Three Sisters of Weekhauken, Toddra Brunson, Tom Wahl, Wesley Slade, West Side Story, William Hayes
We’ve written a paragraph like this only two or three times: Stop what you are doing. Stop reading this review. Go to the phone or online and order tickets right now for Ground Up & Rising’s superb production of Stephen Adly Gurgis’ Our Lady of 121st Street.
Posted in Performances, Reviews
Tagged Antoni Corone, Arturo Rossi, Christian Vandepas, Curtis Belz, George Schiavone, Gregg Weiner, Ground Up & Rising, Kameisha Duncan, Keith C. Wade, Marckenson Charles, Our Lady of 121st Street, Rachel Chin, Rayner Garranchan, Shein Mompremier, South Miami-Dade Cultural Arts Center, Stephen Adly Gurgis, Valentina Izarra, Wade
By Michelle F. Solomon Miami’s Ground Up & Rising production of Jonathan Caren’s The Recommendation is compelling on so many levels. Yet, what makes it so formidable doesn’t have much to do with the actors on stage; it’s more about …
Ground Up & Rising’s courageous production of 9 Circles is a dichotomy that is deeply felt and deeply flawed at the same time – bluntly and uninhibitedly slashing away at one dimension of a brilliant subtle multi-dimensional script.
Ground Up & Rising, the itinerant Miami company that has been rising and falling and rising since 2006, is rising once again with a play to bow during the holiday weekend, plans for a second production this season and the announcement of a new artistic director.
The old joke goes “How do porcupines make love? Very carefully.” In Ground Up and Rising’s sad and ultimately moving production of Gruesome Playground Injuries, the answer may be “not at all.” The difficulty of forging relationships among emotionally wounded people is at the heart of this decidedly off-beat, oddly-made play.
Ground Up & Rising, another scrappy cutting edge theater that performs intermittently and in different venues around Miami, is beginning another season of four minimalist productions including Edward Albee’s The Zoo Story, John Patrick Shanley’s Danny and the Deep Blue Sea, Danny Hoch’s Jails, Hospitals & Hip Hop and the recent off-Broadway hit Gruesome Playground Injuries by Rajiv Joseph